Album Review: “Cinematic Songs Vol. 7” by Tommee Profitt

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When Tommee Profitt comes out with something new, especially an album, you know I have to come out of hiatus for it. Fortunately, this isn’t the only review I am doing this summer. There is a big possibility you will get another when I come back for the end of July.

I didn’t even know it was coming out until about four days before it was released. As of the 20th of June, I still hadn’t listened to it because I kept going back and forth whether I wanted to blog about it, like as a proper album review, but since I hadn’t done one of these in so long that I literally almost vetoed it altogether. Thankfully, I changed my mind because I am in need of a cinematic binge, what about you?

So, let’s recap before we go too far into this post. Tommee started launching these clusters back in 2017. It doesn’t seem that long ago, but it might have something to do with the fact I never talked about volume six–I still don’t understand why I never did anything with it but I will say, it is still an album that isn’t as popular compared to the others for me. After that release, he took a mini break and worked with Fleurie (who frequently lends her voice and lyrics on past works) with their ‘Game of Thrones’ project “Gloria Regali” and then he devoted his time with Christian rapper NF on “The Search” (2019) and “CLOUDS MIXTAPE” (2021), but now he’s back with this bad boy, and I think we’re ready to get into it now.

The first track, “Who Will Save Us” actually features Fleurie, which honestly doesn’t surprise me. Tommee is known to work with both veterans in the cinematic world and some newbies too! I really liked the mild sounding of the introduction, it collides into Fleurie’s voice really well and even when the song explodes with this fierce power, neither one of these aspects are lost in the chaos. My only bad thing about is, it’s pretty short and I think I would have liked it more if it was a little longer and surprised me a little more too. Next we move on to, “Sinners & Saints” and this was the song that made me think we could be getting some new music by Tommee but I did not think an album would follow suit! I adore Beacon Light and I always feel happy and sort of lighter while listening to his songs and this one wasn’t any different. The one thing I wasn’t expecting was Moilba Mustapha and that country vibe coming through in the choruses. It is really good and definitely hits differently!

The artist Stanaj has a gorgeous voice! Personally, I am still obsessed with their track “Love Me” so I was thoroughly ecstatic to see them on here working with Tommee. “I Will Be Your Hero” really cuts you deeply with that slow beginning with just Stanaj’s soft vocals and piano in the background. You always know the song is going to be good if the piano is the main instrument–at least for me it always is! This song is so full of emotions and raw; it’s almost sexy in a way. Our fourth song is “Be Careful” with Laney Jones. I’m pretty sure Laney has been on the other albums but don’t hold me against that because I could be wrong. Anyways, I am in love with the music box lullaby start because it gives it a sweetly dark vibe and thankfully we glide into that feeling for the entire track. I need more of these type of songs honestly. I am surprised it was playing during the promos for the new Conjuring film that came out earlier last month.

As much as I didn’t want it the previous to end, we move to “Reign” with Anna Graceman. Now I will say, I don’t recognize Anna’s name nor her voice, but I like it. She has a soulful element that I didn’t think I needed until I heard it for this song. The track is very pop oriented but with her type of voice, it kind of gives off this bluesy vibe that isn’t overbearing by any means, but it is there as she hits those high notes towards the end. One thing I definitely approve of these albums–well, technically, I approve of a lot of things, but this is a favorite of mine!–s that he will include one or two instrumentals and with this installment, we get two of them. We begin with “Nocturnal Opus” and it definitely gives off that feeling it was created either late at night or after you’ve been up wayy over your limit. However, I really enjoy the eerie sound of the choir in the background. The entire track is spooky and wonderful. It ties in beautiful with “Be Careful” although they are two songs apart from each other.

“Powerful” is the one that I’ve been looking forward to the most as it has two of my favorites: Sam Tinnesz and Ruelle. These artists are very well-known in the cinematic pop world, as Ruelle has worked with the TV series Shadowhunters and Sam Tinnesz is basically everywhere now! I hear them all the time and it always makes so happy to see them getting all of this attention. The song itself is pretty mild but I honestly enjoy this seductive balance between Sam and Ruelle’s voices. They are both quite soft and it was nice to hear a beat match their octaves in this way. I had to listen to this one about three times to actually relish in it for a while. However, I had to go on and “Frontlines” was a nice sequel. It has another guest artist that has worked with Tommee before, Jessie Early. She reminds me of Ruelle but with an extra punch, I think Ruelle is very airy, dreamy sound whereas Jessie has a darker edge and is perfect fit on these fast paced tracks. I think my overall favorite element of this one are the string section near the end. They really make the song better!

The eighth record is called “Wake Up” and we have Xeah and this is so beautiful! I really adored the simple introduction, where its just their voice in that low, almost monotone sound and nothing else. We get a few lines like that but then it explodes and it is really strong and suspenseful in every way. The most interesting thing is, Xeah doesn’t have a lot of lyrics so the rest is instrumental, and it is super hypnotic. I thought this was the coolest one on the album, until I heard the next one. “Lament From The Grave” features Stanaj again, and I don’t want language Stanaj is singing but I love it! It kind of gave me like Hans Zimmer vibes because I’ve heard several tracks that are similar, so it was an interesting and new thing for not only me, but Tommee too, because we haven’t heard anything like this before. It sounds exotic and heartwarming at the same time though.

We are nearing the end of our time together; I hope you’re still with me.

I am such a sucker for anything with a little bit of moxie in it. “Welcome to my world” is definitely one of those types of songs. The artist included in this one is :LYRA, and I don’t quite know if they have been on previous numbers or not, but I like their voice. I feel like this could be great playing on the first episode of “Riverdale” new season this fall or perhaps the reboot of “Gossip Girl” It has a gripping but flirty sound and it is so good! Next is our final instrumental, “The Day Before” and I don’t know about you, but anything with these three words will have a sad element to it. You may not hear it at first but it’s there. I think it was really good, not at all crazy but perfectly balanced to showcase both a lighter and sort of panic atmosphere and it really works well with the final track, which is “Tragic” with Fleurie. It is a beautiful broken type of song and I really like these different sounds of bells going on in the background. It was the perfect ending.

I was honestly a little worried after I started this post, because I wasn’t sure I could do it anymore. I feel like I’m not the best person to review albums because I’m not great at describing things–I feel like I’m worse at discussing music. So, I took a big risk at jumping in with a Tommee Profitt produced album but I did it. I may never understand why I didn’t talk about volume seven but this one was really impressive! It was definitely needed after we went through in 2020, so I would rate it as six out of ten stars altogether.

Have you listened to “Cinematic Songs (Vol 7)” by Tommee Profitt yet? If you have, what song(s) was your favorite? What about the guest singers too?

June Playlist

Hello!

It is absolutely crazy that July starts on Thursday, like seriously?! I just embraced June for all its worth and we’re moving on to another month fast as lightning! I have to say, June was pretty good. The temperatures have been fairly high lately but I have figured out a system to hang out with our cats in the evenings. I think they enjoy it just as much as I do because they are super lazy around 5-7pm and they all want to love and I’m here for it! I’ve also found out that my cat Stormy isn’t the only one who enjoys belly rubs: Oscar and Nelson loves it too!

For music though, I have sort of shifted from like this dark pop aesthetic I’ve been in since the middle of March, to suddenly for the last couple of weeks, all I want is rock music. I’ve been listening to Sirius XM Octane like crazy and I’ve heard a lot of really good music on there to the point I have been sharing some of my favorites as part of my “Song Of The Day” Instagram stories in the evenings. And then recently, I decided to use my iPod again and I’ve been bringing back the good old school Kelly Clarkson and rediscovering symphonic metal as a whole, so I’ve been keeping things interesting, that’s for sure!

As for the monthly playlist, especially for this post, I really tried to shorten it but honestly there are a lot of tunes I was thoroughly obsessed with that I couldn’t take them away, although they are included in the Spotify playlist. I ended up creating a Top 30 because of my inability to choose my ultimate favorites for June.

Gettin’ Even by Seasons After
Thinking Out Loud by Ed Sheeran
Macaroni Salad by Niia
Muscleville by Kai Wachi
WYGD by Empara Mi
Peaches (Remix) by Justin Bieber featuring Usher, Ludacris & Snoop Dogg
Dark Side by Blind Channel
Ruthless by Nonpoint

Remedy by Savage After Midnight
Pure Evil by Like A Storm
The Devil by BANKS
Girls by Zella Day

A Girl Like You by Machine Gun Kelly x Travis Barker
Time Warp by Apashe featuring Sami Chaouki
I Care by Paul Hernandez
Parachute by Saint Chaos
Believer by Lea Michele
Your Betrayal by Bullet For My Valentine
Warrior by Atreyu featuring Travis Barker
Only Love Can Save Me Now by The Pretty Reckless
Deal With It by Ashnikko featuring Kelis
Papi by Isabela Merced
Drivers License by Olivia Rodrigo
You Thought Wrong by Kelly Clarkson featuring Tamyra Gray
Astronaut In The Ocean by Masked Wolf
Talkin’ Bout by Loui featuring Saweetie
Right Now by Fire From The Gods
Didn’t Know Love by Celine Dion
Adios by EVERGLOW
MONTERO (Call Me By Your Name) by Lil Nas X

I know I might be a little early making this announcement but I have already started keeping track of various songs to include in my Summer 2021 playlist in September. There are some that wouldn’t surprise you at all, but they are a couple of special tunes that I think will make themselves known in the next three months. Have you already discovered your summer anthem for the year yet?

There have been some albums and EPs that I’ve listened to lately, that I thought I would share with you today. If you still enjoy the occasional dubstep genre, you should look into Kai Waschi as they have released a brand new EP a few weeks ago called “MUSCLEVILLE” and even though it only contains five tracks, it is really good! I don’t listen to a lot of dubstep and/or trap music anymore but I keep Kai around for those ‘once in a blue moon’ kind of days. The other artist you should consider is Tommee Profitt, although Tommee isn’t the main artist, he did produce every song on the album, so he is listed first before any of the guest singers. I’ve been thinking of doing a review of the new album: Cinematic Songs Vol. 7 but I already have a tight schedule for July so we will have to see what happens.

What were you listening in June?

Music Monday | Tommee Profitt

Hello!

For my last post for this series, I will be talking about Tommee Profitt. A music producer, composer and songwriter that I’ve been keeping up with since probably the end of 2017. I still don’t really know how I found him in the first place; I do remember I was on Spotify, but the connection between the two is still a little foggy. Anyways, it happened and it’s been incredible journey so far!

What a lot of people don’t understand is that, everything is connected in some form or another. Everything happens for a reason.

To me, there really isn’t a big jump between symphonic metal and cinematic/trailer music. I think there are a lot of similiarities between the two of them, epesically when it comes to writing the concept. The lyrics are easy to read and can be filled of different emotions. They both encourage the use of choir and big orchestra elements depending on the mood of the song itself.

Now as I say “trailer” music, I don’t necessarily mean Hans Zimmer, Alan Silverstri, etc. Nowadays, composers like Tommee and vocalists you have probably never heard of yet somehow they are (mostly) all located in Nashville are creating these gorgeous songs for various promos and they are becoming the new generation of what is cinematic music. Lately, the world has started to see the genius of Tommee’s work, which is really awesome! Two years ago, Tommee teamed up with a long time contributor Fleurie to do a tribute album for the final season of “Game Of Thrones”. I previously listened to the soundtrack that was put together Travis Scott, Ellie Goulding, Hallie x Chloe, etc. However, this one was worthy to be part of the score I thought because it was so beautiful with Fleurie’s dreamy vocals and fierce compositions behind her in the music.

You may not know this, but last year he worked with Christian rapper NF on his album The Search. I think the two of them have worked together before this release, but I’m not too sure about it. I feel like I can judge what feels and sounds like something Tommee would create, but in the last two cinematic compilations, he is starting to expeiment with other genres like country and a little bit of rock, which is great but sometimes I have issues with figuring out what Tommee has produced for him or not. There are other artists he tends to work with a lot, and they are Sam Tinnesz, Ruelle and Jung Youth. If you haven’t heard of anybody featured in this post, you should definitely give everybody a listen, trust me, you’ll end up loving something among the people I’ve included in here.

Have you heard of Tommee Profitt’s work? If you have, list that person or any others below in the comments for me! Do you have a favorite track too?

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Album Review: “Hearing Colour” by Svrcina

I am back with another review for you! As you all know, I love doing these blog posts but unfortunately being able to find new full releases is tricky so when I find a stack of music, even if it’s small, I will try to talk about on here!

For today, I will be reviewing an album that came out in early June, by an artist that I have discussed on here before. She is Svrcina, and her newest album “Hearing Colour” came out on the 14th, and I found out about it on the 27th! Honestly, if I do end up writing all three reviews, I’m pretty sure all of them were released sometime last month.

Check out the review of her previous album simply titled “Svrcina” that came out in 2017 now!

We have firstly, the title track “Hearing Colour” and it is a gentle introduction of what is essentially to come. It has that synth-pop sound that she is sort of known for, so I really liked it. Finally, it’s with “Dragonflies” that starts the music journey. We have that little exotic flare that I really love about her music. It’s not too much or too little, just enough to give it that edge. The song itself is very upbeat with a pop-y tone. Great way to begin the album! Next is a song called “Pages” and here again, we have a happy but unique kind of beat going on. I was imagining myself relaxing at a Japanese spa, surrounded by a small stream and some waterlilies here and there. I can really see it while listening to this song, but I like the actual song too. !

When I first wrote out the list, I thought to myself, please be a ballad. From the moment it started playing, I instantly got excited because even though it wasn’t what I initially wanted I still enjoyed it anyways. “Insecure” has that light but mysterious sound that I love in her music, but it’s not too much. I think some people would consider this a House track just by the vibe of it. It’s pretty groove-y so I really liked that. It was better than I expected it, which was awesome! Next, we have “All I Wanna Do” and here we have what i like to think of a regular pop song, because there wasn’t really anything too interesting about it, but it was good anyways!

The album is coming to an end; “Back 2 Good” has a nice little upbeat tone. I really like the bubble popping type of sound in the verses, the reason why I say “bubble popping” is because it was literally the first thing that came to me when I focused my attention on it. I really enjoyed the song, despite not liking it the first time I listened to it a few months ago. It’ll put you in a good mood, I was humming and dancing towards the end of it so that’s always a good sign! And finally, we have “Come Together” and I thought it was a nice balance between her slower songs and a pop-y track. Out of all the songs on the album, I still love this one the most!

I think because she came out as a cinematic artist, working with Tommee Profitt for his cinematic volumes for the past three years, I’ve gotten so use d to that voice of hers in that thundering light that when she went in an another direction, I wasn’t necessarily ready for it. I’m not saying any of this release was bad, for a pop album, it was pretty good but not what I was expecting it to be. I also had a thought that since her first album was in a somber tone, this was bubbly and warm, perfect for the summertime! So, what I’m really trying to say is that it was a nice surprise.

Have you listened to Svrcina’s music before? If you have heard this release, what were your thoughts on it? A fan or not?

Album Review: “Gloria Regali” by Tommee Profitt x Fleurie

At this time, we usually get another collection of epic songs by Tommee Profitt, and I guess you would say that this would fit but the album has a very specific theme and features only one artist. So, it’s something completely different, but yet it isn’t. I think with the release of the previous volumes in the last two years, I think they were the “calm before storm” if you will; allowing our ears to hear something new to get us in the groove of a project like this to take over.

This project “Gloria Regali” was inspired by the new and unfortunately final season of Game Of Thrones. Last year, I started watching the series and instantly enjoyed it too, but since DISH does not carry HBO anymore, I am not able to watch the season along with everybody. Honestly, I should have expected this. I wasn’t really surprised when they made the announcement that it would be their last season but for some odd reason this wasn’t on my radar! Anyways, I was really excited to see Tommee Profitt using the show and maybe even the books for something like this anyways. I think Fleurie’s voice is incredible so the fact that she’s the only main vocalist on the album is really exciting to me!

Check out my review of Tommee Profitt’s album¬†Cinematic Songs, Volume 3¬† here.

Let’s start off with the first track of the album, which is the title track “Gloria Regali”. I like the fact that they start it off kind of quiet. The beat itself is intense from the moment it begins but Fleurie’s voice has this soft quality to it and as the song progresses the song just explodes with those loud drums and choir. It is a great beginning into this journey and if you have watched Game Of Thrones, it also gives you this nice image of the great war brewing and who might sit in the iron throne. The second song is “Onward & Upward” and I thought the sound was more grittier, kind of gave me the vibe of being Cersei’s theme song maybe? The reason why I say that is because Cersei is such a sly, malevolent character and between this hard-hitting beat and Fleurie’s dark emotions coming out in this. It just reassured me that this was her song, but of course I could be wrong too!

Next is “Noble Blood” and at first, I thought I would regret my original statement above, but then the more I thought about it. This could be for Queen Daenarys, Mother Of Dragons. Can you guess which team I root for? I feel like this one had a more sensual sound to it, which really led to my decision to think this could fit her in the end. I think Daenarys is a very strong character, she’s had to sacrifice a lot to get to where she is right now in the story, everytime she gives away a part of herself as far as love goes, it always seems to be taken away or used against her in some way. So she’s had to learn quick and fight within her own terms. After that, we finally have our instrumental and that is “Desolation” and the first person that popped into my head was Arya. She’s like Daenarys in a way that she’s had to grow up quick, but she’s just powerful and honestly I won’t want to cross either one of them. Your death will not be peaceful and I think that’s what this sound brings out, is this fire (no pun intended) and fierce pace fit for two strong women.

The fifth song is “Winter’s Song” of course. This brought me back to Jon Snow’s time at and beyond The Wall. I also think it’s beautiful funeral track to all of the characters we’ve lost throughout the series too. It’s just gorgeous! It is in your face, but it is very gentle. Next we have “Undone” and it also has another slow start, but I have learned to love these types of songs because they are usually the best, and I was right; the sound just continues to grow and grow and you just wonder how it will all end. The drop itself was mighty and even it had a bit of a hip hop sound towards the ending, but I thoroughly enjoyed it!

Our seventh track is “Premonition” and this instantly gave me Brann vibes. It’s the one song that I didn’t have to guess who it was for, because of the title! I do appreciate the fact that it is another instrumental. I like the change of sound with this one. It has a ton of different elements incorporated within it and I thought it had some depth to it compared to the others. We move onto “Midnight Oil” and it has this mysterious introduction that I really enjoyed, but I actually ended up loving the whole song. I instantly got this powerful feeling come around me the longer it went on! I really loved the fierce but gentle sound of the beginning but the end was monstrous and I couldn’t get enough of it really! Four minutes and five seconds was apparently NOT long enough for me!

I thought “Remembrance” was our only “real” ballad off the album. The usage of the piano was beautiful! I feel like it would fit every “Saying Goodbye To ‘Game Of Thrones'” videos on YouTube we will see just before the last episode premieres because it just has that kind of quality to it. However, I quickly realized that the melody itself is the same of another one of Tommee’s songs. “Tomorrow We Fight” and another thing they share is Fleurie herself too! I knew once I found the other one, my original thoughts would disappear, because I generally dislike hearing same lyrics and/or melody shared with multiple songs. It’s still good but I would have liked to hear something that wouldn’t have me so easily distracted in this way. The final song is “Sound Of War” and personally I hoped for a banger, between the title and being the last of anything GoT in general, you’re kind of expected it to end with a big bang. I did like the quirky sounds in the introduction and the intense banging was a kicker. I really enjoy hearing epic songs about wars. I know it’s weird as crap but there’s something with the raw emotions of the singer and the rush of everything going on in the sound behind them is so exciting! They make you feel invincible and powerful at the same time and I’m thankful that this gave me all of those feelings at the end. It was perfect!

I thought this was a fantastic lineup of music for not only GoT fans will enjoy but anybody that loves cinematic music in general. I also think that quite a few of them might end up on some people’s workout or motivational playlist. I don’t really have any bad notes to add-on because I included what I really wanted to say in each section.

Now it’s your turn, what did you think of Tommee Profitt and Fleurie’s little creation? Do you have any favorites on the album?