I have heard of bloggers encouraging others to update older posts over the years, but I just chose to ignore them because I think it’s best to keep them the same to allow yourself to see where you were and as you continue to grow as both a blogger and writer. I have never said I am a perfect writer in the past, and hope people respect me on that subject.
However, I am here once again, because I found out that British alternative-pop singer RAIGN (ray-gen) has come back with an even bigger surprise for us fans, and that is, she re-released her 2018 album, “SIGN” late in October; the album has a new title as well the addition of nine other songs! It is now called, “Sign From Above” and I thought instead of re-writing the previous songs, how about I just add onto the first post. So below is everything I wrote about Raign and the album back then, while the newer material is below divided by a line to hopefully keep everything in line so nobody gets confused. I seriously hope you enjoy the album experience and what I’ve written as far as the review.
Back in January, British singer-songwriter RAIGN released her extended play “Born Again” and I put out a review of it on here about a month later. Now I’m back to talk about her debut album that came out in mid-September. It is called “Sign” and even though I kept seeing a couple of singles pop up on the new music tab on Spotify, I did not expect this at all! Despite only really listening to one single before working on this, I didn’t know what I was getting into but I was open to new sounds and some of the familiar stuff that made me fall in love with her music in the first place.
The album itself consists of 12 songs, which is standard for any musician but also with that amount, means you can hear a wider range of her style. I am hoping for an eclectic mix as I continue down the list of tracks. So, let’s start!
We begin with an introduction, “Sign” and it’s an instrumental start to the album. It has a dreamy quality to it as it’s soft but haunting too. I really like hearing the orchestra build up and sound like the second song “Out Of Time”. This song has a completely different tone, as it has a pop-rock sound which wasn’t something that I expected but I actually liked it! It’s something we haven’t heard from her yet and I thought it was perfect to break that barrier so early in the album. Next we have “Who Are You” and it has that familiar mysterious vibe playing throughout it. It’s very powerful but in a way gentle too!
We move on to “God Only Knows” and what I really like about this one was the fact that it started off in this soft way, with only her echo-y but deep voice and a light epic drumming in the background. It was so beautiful to only have those elements, before adding the orchestra back in too. The fourth track “Into Heaven Alone” has a melancholy sound but it does have a rock-y vibe on top of that cinematic beat, it’s not an overwhelming. I liked the uniqueness it gave the song! I feel the next song “Inside Of Me” has this motivational statement to make, as it gave you the strength to get through whatever is bothering you at that moment. The beat itself was strong in terms of matching the emotions and lyrics to the song, but it was also really light too. It was a nice balance.
When we first started the album, we had a nice epic intro with “Sign” but for the sixth track, it is the vocal version of the actual song. It still has this gentleness about it, but now that we are hearing the words along with the ominous ballad of violins, bells and of course Raign’s deep voice. It will take you away into a magical place whenever you listen to it, at least that’s what it did for me. I felt like I was walking in a snow-y, forest wonderland, I love it when music can do that in a matter of three minutes! Next, there’s “Calling” and this has another interesting quality. At first, I thought it was going to continue what we heard in the last song. I’m hearing more pop-y notes in the beat, it still has that cinematic sound in it, but it is very mild so you can hear them both at the same time. It is a cool song.
We are on the last four songs. “Hold On To The Sky” is kind of tame, almost dreamy in a way. One way to explain it, is if you were in a deep amount of water. Your body is weightless so dancing inside is a breeze. If this was a song, this would be it. I’m sorry for the weird metaphor, but that’s what I instantly thought of when it started playing! Next there’s “Find My Own Way” and this has a sexy beat behind it. It keeps you on your toes because it’s a somewhat simple song, but there’s that underling feeling you could be surprised soon. It was a pleasing track and probably one of my favorites out of the whole thing.
I was really curious about the eleventh song and final track because the titles seem so easy to figure out, I just hoped I wouldn’t get disappointed in the end. However, “Sunrise” starts with this very loud bass boom and then her voice gets echo-y and the beat itself builds into the monstrous beast. As it continues, Raign basically stays the same as far as tempo goes, but I’m glad she’s like that because the dynamic between these two makes it that much better. It has an edge, a jaggered edge that makes it powerful! Finally, we end with “Evergreen” and after the previous one, I was a little worried but thankfully it was at the same vibe, but I think I fell in love with the lyrics a lot faster than I did with “Sunrise”, plus it has a happier beat. It had a motivated outlook on it, but everything about it was inviting to me, and it made me like I could do anything so I was thinking of good things rather than the negative and that’s what I like the most about it.
One of my favorite things to do now whenever I watch a movie or television show, is that I keep an eye out for the music being played on a certain scene. When The Vampire Diaries started playing Raign’s music throughout the last four or five seasons, I did not expect to still crave her music but I do! I think she has a gorgeous voice and the beats she uses to showcase it, make me extremely happy! Raign was at the forefront of my taste for cinematic music, and I deeply encourage you to check out some of her songs! This album gave me feeling after feeling, and although I tend to listen to her music whenever I’m sad, I was happy listening to all the way through and for that to happen rarely works anymore.
After the last song of the original lineup, we start again with “Causing Love” and this was initially released in 2019 and I do remember listening to it, but overall it’s been a while since I’ve heard her music but I instantly remembered what I enjoyed the most, her voice. It is semi-deep and raspy, but adds an extra edge to her style of music that brings out a positive and dark side to her songs. As far as this song goes, it is absolutely beautiful! You can feel the love rushes out of your speakers, and I really enjoyed that guitar solo along with her high notes echoing in the background at the end. The next song has that darker vibe I love the most, at least the introduction has this as it builds into a bigger picture full of various pictures. This song is called, “Things Can Only Get Better” and as much as I like the cinematic take, I kind of wished it kept that base sound, it almost gave it a country vide especially in the way she is singing it, it definitely could have worked out greatly without the symphony in the background. It’s an interesting combination!
Our third track is, “Now I Can Fly” which is totally different to the others I’ve heard so far. The poppy drums in the beginning was a nice surprise, and I feel like this could be a great Monday motivational song, especially with all of the anxiety and worry that life has brought to a good chunk of people nowadays! I liked the boost of energy and message in the lyrics, it’s clear this is a happy song! Now, I don’t know how we got on the Christmas-y train, but okeydokey! This is “Christmas (Baby Please Come Home)” and this is absolutely gorgeous! It has that nostalgic sound you would normally hear in churches and/or orchestra, I was really pulled into it at the sound of the banged bells that flicker throughout the song. Raign doesn’t have that traditional voice you would hear in carols but I thought it was cool to not only hear, but see something different come out of that type of music.
As far the next three songs, they are new versions of the songs mentioned above in my original post. The fourth is an orchestra take on “Who We Are” and of course I adore anything–well, apparently, almost anything as we’ve uncovered in the previous paragraph!–with a symphony sound to it, and I’m shocked to say I still like the other way more! Although I do like her transitions on the high pitched notes at the end of the courses, but that’s all I really like about it. “Out Of Time” was actually #2 and since I’ve only heard her cinematic finished songs, this was a lovely surprise. I loved the acoustic switch of this, as much as I love the majestic and powerful sound of a full orchestra, some days I like stripped down type of music and this was so good!
“Into Heaven Alone” is on now and we are back on the orchestral sound, but honestly it is milder than what I was expecting it to be right out of the gate. It has a nice mixture of a slower acoustic-orchestral session. I have heard other artists and bands do this before, but I’ve always felt some were too chaotic to include both styles for one song, but I did like this one. I wasn’t into it at first, but as it ended, the sound mellowed out and it was really nice.
We are at the final two songs: “Walls” was another track that was released sometime in 2019, this one I never got a chance to hearing because I didn’t “follow” her on my Spotify yet so I missed out on the actual time and date of when it came out. Anyways, it has a dance-y beat to it in the beginning and then quiets down when Raign starts to speak, but I enjoyed this one. I think this one is a favorite, but I kind of wished she was singing more because I felt as though it was more circled around the music itself, which I seemed to notice a distinct electronica vibe going on with this one. I liked it quite a bit so obviously, I didn’t mind it that much! And the last song, is another version of “Causing Love” and it includes the Millionaire London Orchestra and unlike my comments about the orchestral take on “Who We Are” this one is pretty good! I like the sadness of the violins and what I was feeling in the other one, is more inflamed and very exciting!
A part of me figured the newer songs were going to somewhat stay within the original sound but I had hoped for more diversity, because as much as I love this style and grace of music Raign does, I want to see what else she can bring to the table too. So, a part of me wonders if she is planning on releasing any more music in the near future. I mean, 2021 is right around the corner and it has me thinking of changes and more music, so maybe she has been experimenting with other genres, or want to go into acoustic even more after putting “Out Of Line” on here like this, maybe these are clues and she isn’t necessarily finished with us yet.
Of course, I could be absolutely wrong and this is only just one present to her fans. I would be okay with that, but I am always wondering about the people I listen to on the radio, Spotify and YouTube, you just never know what’s going on, until it comes out finally! So, we’ll see what happens as we cross the new year bridge next month.
Have you heard of RAIGN’s newest edition of her album yet? Do you have any favorites? If I wasn’t the one to introduce you to her music, how did you find her?