Album Review: “Cinematic Songs Vol. 7” by Tommee Profitt

When Tommee Profitt comes out with something new, especially an album, you know I have to come out of hiatus for it. Fortunately, this isn’t the only review I am doing this summer. There is a big possibility you will get another when I come back for the end of July.

I didn’t even know it was coming out until about four days before it was released. As of the 20th of June, I still hadn’t listened to it because I kept going back and forth whether I wanted to blog about it, like as a proper album review, but since I hadn’t done one of these in so long that I literally almost vetoed it altogether. Thankfully, I changed my mind because I am in need of a cinematic binge, what about you?

So, let’s recap before we go too far into this post. Tommee started launching these clusters back in 2017. It doesn’t seem that long ago, but it might have something to do with the fact I never talked about volume six–I still don’t understand why I never did anything with it but I will say, it is still an album that isn’t as popular compared to the others for me. After that release, he took a mini break and worked with Fleurie (who frequently lends her voice and lyrics on past works) with their ‘Game of Thrones’ project “Gloria Regali” and then he devoted his time with Christian rapper NF on “The Search” (2019) and “CLOUDS MIXTAPE” (2021), but now he’s back with this bad boy, and I think we’re ready to get into it now.

The first track, “Who Will Save Us” actually features Fleurie, which honestly doesn’t surprise me. Tommee is known to work with both veterans in the cinematic world and some newbies too! I really liked the mild sounding of the introduction, it collides into Fleurie’s voice really well and even when the song explodes with this fierce power, neither one of these aspects are lost in the chaos. My only bad thing about is, it’s pretty short and I think I would have liked it more if it was a little longer and surprised me a little more too. Next we move on to, “Sinners & Saints” and this was the song that made me think we could be getting some new music by Tommee but I did not think an album would follow suit! I adore Beacon Light and I always feel happy and sort of lighter while listening to his songs and this one wasn’t any different. The one thing I wasn’t expecting was Moilba Mustapha and that country vibe coming through in the choruses. It is really good and definitely hits differently!

The artist Stanaj has a gorgeous voice! Personally, I am still obsessed with their track “Love Me” so I was thoroughly ecstatic to see them on here working with Tommee. “I Will Be Your Hero” really cuts you deeply with that slow beginning with just Stanaj’s soft vocals and piano in the background. You always know the song is going to be good if the piano is the main instrument–at least for me it always is! This song is so full of emotions and raw; it’s almost sexy in a way. Our fourth song is “Be Careful” with Laney Jones. I’m pretty sure Laney has been on the other albums but don’t hold me against that because I could be wrong. Anyways, I am in love with the music box lullaby start because it gives it a sweetly dark vibe and thankfully we glide into that feeling for the entire track. I need more of these type of songs honestly. I am surprised it was playing during the promos for the new Conjuring film that came out earlier last month.

As much as I didn’t want it the previous to end, we move to “Reign” with Anna Graceman. Now I will say, I don’t recognize Anna’s name nor her voice, but I like it. She has a soulful element that I didn’t think I needed until I heard it for this song. The track is very pop oriented but with her type of voice, it kind of gives off this bluesy vibe that isn’t overbearing by any means, but it is there as she hits those high notes towards the end. One thing I definitely approve of these albums–well, technically, I approve of a lot of things, but this is a favorite of mine!–s that he will include one or two instrumentals and with this installment, we get two of them. We begin with “Nocturnal Opus” and it definitely gives off that feeling it was created either late at night or after you’ve been up wayy over your limit. However, I really enjoy the eerie sound of the choir in the background. The entire track is spooky and wonderful. It ties in beautiful with “Be Careful” although they are two songs apart from each other.

“Powerful” is the one that I’ve been looking forward to the most as it has two of my favorites: Sam Tinnesz and Ruelle. These artists are very well-known in the cinematic pop world, as Ruelle has worked with the TV series Shadowhunters and Sam Tinnesz is basically everywhere now! I hear them all the time and it always makes so happy to see them getting all of this attention. The song itself is pretty mild but I honestly enjoy this seductive balance between Sam and Ruelle’s voices. They are both quite soft and it was nice to hear a beat match their octaves in this way. I had to listen to this one about three times to actually relish in it for a while. However, I had to go on and “Frontlines” was a nice sequel. It has another guest artist that has worked with Tommee before, Jessie Early. She reminds me of Ruelle but with an extra punch, I think Ruelle is very airy, dreamy sound whereas Jessie has a darker edge and is perfect fit on these fast paced tracks. I think my overall favorite element of this one are the string section near the end. They really make the song better!

The eighth record is called “Wake Up” and we have Xeah and this is so beautiful! I really adored the simple introduction, where its just their voice in that low, almost monotone sound and nothing else. We get a few lines like that but then it explodes and it is really strong and suspenseful in every way. The most interesting thing is, Xeah doesn’t have a lot of lyrics so the rest is instrumental, and it is super hypnotic. I thought this was the coolest one on the album, until I heard the next one. “Lament From The Grave” features Stanaj again, and I don’t want language Stanaj is singing but I love it! It kind of gave me like Hans Zimmer vibes because I’ve heard several tracks that are similar, so it was an interesting and new thing for not only me, but Tommee too, because we haven’t heard anything like this before. It sounds exotic and heartwarming at the same time though.

We are nearing the end of our time together; I hope you’re still with me.

I am such a sucker for anything with a little bit of moxie in it. “Welcome to my world” is definitely one of those types of songs. The artist included in this one is :LYRA, and I don’t quite know if they have been on previous numbers or not, but I like their voice. I feel like this could be great playing on the first episode of “Riverdale” new season this fall or perhaps the reboot of “Gossip Girl” It has a gripping but flirty sound and it is so good! Next is our final instrumental, “The Day Before” and I don’t know about you, but anything with these three words will have a sad element to it. You may not hear it at first but it’s there. I think it was really good, not at all crazy but perfectly balanced to showcase both a lighter and sort of panic atmosphere and it really works well with the final track, which is “Tragic” with Fleurie. It is a beautiful broken type of song and I really like these different sounds of bells going on in the background. It was the perfect ending.

I was honestly a little worried after I started this post, because I wasn’t sure I could do it anymore. I feel like I’m not the best person to review albums because I’m not great at describing things–I feel like I’m worse at discussing music. So, I took a big risk at jumping in with a Tommee Profitt produced album but I did it. I may never understand why I didn’t talk about volume seven but this one was really impressive! It was definitely needed after we went through in 2020, so I would rate it as six out of ten stars altogether.

Have you listened to “Cinematic Songs (Vol 7)” by Tommee Profitt yet? If you have, what song(s) was your favorite? What about the guest singers too?

Music Monday | Tommee Profitt

Hello!

For my last post for this series, I will be talking about Tommee Profitt. A music producer, composer and songwriter that I’ve been keeping up with since probably the end of 2017. I still don’t really know how I found him in the first place; I do remember I was on Spotify, but the connection between the two is still a little foggy. Anyways, it happened and it’s been incredible journey so far!

What a lot of people don’t understand is that, everything is connected in some form or another. Everything happens for a reason.

To me, there really isn’t a big jump between symphonic metal and cinematic/trailer music. I think there are a lot of similiarities between the two of them, epesically when it comes to writing the concept. The lyrics are easy to read and can be filled of different emotions. They both encourage the use of choir and big orchestra elements depending on the mood of the song itself.

Now as I say “trailer” music, I don’t necessarily mean Hans Zimmer, Alan Silverstri, etc. Nowadays, composers like Tommee and vocalists you have probably never heard of yet somehow they are (mostly) all located in Nashville are creating these gorgeous songs for various promos and they are becoming the new generation of what is cinematic music. Lately, the world has started to see the genius of Tommee’s work, which is really awesome! Two years ago, Tommee teamed up with a long time contributor Fleurie to do a tribute album for the final season of “Game Of Thrones”. I previously listened to the soundtrack that was put together Travis Scott, Ellie Goulding, Hallie x Chloe, etc. However, this one was worthy to be part of the score I thought because it was so beautiful with Fleurie’s dreamy vocals and fierce compositions behind her in the music.

You may not know this, but last year he worked with Christian rapper NF on his album The Search. I think the two of them have worked together before this release, but I’m not too sure about it. I feel like I can judge what feels and sounds like something Tommee would create, but in the last two cinematic compilations, he is starting to expeiment with other genres like country and a little bit of rock, which is great but sometimes I have issues with figuring out what Tommee has produced for him or not. There are other artists he tends to work with a lot, and they are Sam Tinnesz, Ruelle and Jung Youth. If you haven’t heard of anybody featured in this post, you should definitely give everybody a listen, trust me, you’ll end up loving something among the people I’ve included in here.

Have you heard of Tommee Profitt’s work? If you have, list that person or any others below in the comments for me! Do you have a favorite track too?

Music Monday | Joost van der Beork

Hello!

Even though 2009 is the year that started my journey into the rock ‘n’ roll lifestyle, I would have to mention that the next year was just as important to me. In 2010, as I was failing to comprehended to understand my online class of Music Theory, I was busy dipping my feet into new waters. Once I made the decision of quitting my classes altogether, I dove down deep into the world of symphonic metal.

Now what you need to understand is that I was both heavily depressed and contemplating suicide so the fact that I still remember the origin story of how I got into the starting five bands from mid-2010 to early 2012 is a miracle in itself because everything else is a complete blur to me. I strongly believe music not only kept me alive but also distracted my negative mind. I chose to select a fairly large group of people to be apart of my story.

I didn’t find out about Joost until probably late 2011, which makes sense because by then I had decided to give Disturbed and Slipknot a try after years and years of being absolutely afraid to listen to anything that could activate my inner anxiety. In the same cycle, I had found the band Epica as they were just about to release their concert “Retrospect” concert DVD/CD. Once I started going through the band’s previous albums, I quickly realized that there was a common theme, Joost van der Beork was producing a good chunk of their albums!

After that, I decided to go through his music and found out that he use to be apart of another symphonic metal band called After Forever with Mark Jenson of Epica and Floor Jenson (no, they are not related!) of Nightwish. Once the band broke up, Joost went on to go behind the scenes and produce music instead. He has worked with Epica, ReVamp (Floor’s band), Delain, Leah, MaYaN (Mark’s solo project) and many others. He has a fairly large resume of a lot of bands you might not have heard before, so I think if you have a free minute in the time to look on Spotify or YouTube and check out some of the music he helped put together. Oh, and after going through with this post, I ended up finding out that Joost is actually a current member of a band called Ex Libris, which are very good too!

Have you heard pf any Joost’s work in the past? If you have, what was the first album you listened to and possibly enjoyed the most?

July Playlist

Hello!

How are you doing?

Since COVID-19 came to town, everything you loved about summer has been modified either in a small or bigger way than you expected! It has affected everyone; people hoped it would be done by the time 4th of July came around, but it didn’t and because of that, cities cancelled their annual fairs and displays of large populated areas to watch fireworks in the evenings.

Thankfully, music is still here for us!

I am actually going to do something a little different today. Before I give you my current list of Top 20 songs for the month, I am going to share a brand new track from a singer-songwriter ÊMIA! She messaged me a few months ago, but there have various things going on and we have both been awful about getting back in our emails to each other. However, I finally had time to get everything straighten out enough to be able to promote her new single “Selfish” off of her debut album that is coming soon!

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ÊMIA is a singer-songwriter and producer (yay for more female producers!) based in New York. In her first email she sent me and said that I might enjoy her music because she is similar to SCVRINA, which pretty much sold me right away! She’s been known to write her songs with as much emotions as possible.

Here is what I thought of her new song!

When I first listened to the song, I did think she sounds like SCVRINA in that soft voice but her tone is what I found to be quite sassy and almost angry tone, which you don’t find too often along with an upbeat pop song! Everyone tries but rarely does it work as good as you think it would! She also reminded me of Madison Beer too, as she has this fierce cat-like type of mood in her music that I love so much! The only thing I didn’t like so much was the music. However, I think if she was to release an acoustic version I would like it better. The tempo would slow down slightly and you would be able to hear the words and feelings towards the subject in question a little more too!  

What do you think of ÊMIA’s new song “Selfish?” 

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I don’t know if this will become a trend on here, but I think highlighting a song like this by an artist or band that nobody’s heard before, could be an interesting addition to these monthly playlists. What do you think?

Now let’s go back to our normal routine. If you want to check out the rest of the songs not listed below, you can (hopefully) click here to be transferred to listen to the others. Here are my Top 20 songs in July!

Daisies by Katy Perry
The Game Is Over by Evanescence
Like That by Doja Cat featuring Gucci Mane
My Immortal by Halocence
Control by Zoe Wees
Drinks by Cyn
I Dare You by Kelly Clarkson
Rewind by Krewella x Yellow Claw
Only God Knows by Of Kings & Country featuring Echosmith
Love Me Anyway by P!nk featuring Chris Stapleton

Now usually, I have a much longer amount of songs featured in this playlist and I do, but they are not regular songs! Earlier this month I was able to watch Hamilton. I have been hearing and loving what everyone has been saying about it for the past several years! And of course, I had my favorites too, so here are my top 10 that I just couldn’t get enough to keep to myself!

Satisfied
My Shot
You’ll Be Back
Helpless
What’d I Miss
The Room Where It Happens
Burn
It’s Quiet Uptown
Who Lives, Who Dies, Who Tells Your Story
One Last Time

Before I finish I wanted to let you know there will be a specie music post next Monday! So, please be on the lookout for that. I’m sorry this turned out to be so long but I couldn’t help myself to limiting the amount of music I listened to this month. Before you leave, please tell me what you were loving this month in the comments section below!

 

Music Monday | Kevin Churko

From early 2009 to late 2014, I knew of five producers in the metal scene. The first was Rick Rubin, second was Flood, who worked with Thirty Seconds To Mars, James Michael, he is the lead vocalist of Sixx:A.M. with Nikki Sixx and DJ Ashba but has produced several albums for other bands, Kevin – which I’ll explain more in a minute, and Joost van der Beork. Spoiler alert: he will be discussed in next month’s theme!

I came across Kevin Chucko in either 2011 or 2014; I know this is a big gap of time, but these were the years that my new love of music became very prominent. As I was into the genre for close to six years straight. I really made myself pay attention to various music producers just like I had in the hip hop world in my younger years.

I was actually introduced to Kevin Churko after the nu metal band Papa Roach worked with James Michael on their album “The Connection” in 2012. If you didn’t know, this is actually fairly common in music. Everyone, whether they are just a singer or in a band with more than the standard five members, can work with various people in the album making process. They are not just limited to a set and have to make it work that way. You could look at this as like playing the children’s game “duck, duck, goose” but I think it’s a smart thing to do and I feel like I played the same game in the very beginning of figuring out what I loved about the headbanging and mosh pittin’ lifestyle too.

Sometimes acts will in fact devote their time with only one composer, engineer, songwriter and producer for their work if the chemistry is there, but in order to keep things interesting and build a relationship, you can grow out of your comfort zone and do something new. Kevin Chucko has worked with prominently rock bands. He’s based in Las Vegas and shockingly not all bands want to have fun on the Strip. For most musicians, they make the choice to stay at home and work via online or relocating to wherever their record company sends them to, which is usually where their producer lives.

The first band that I fell in love with in 2009 was female fronted was In This Moment. Since they released their album “Blood” in 2012, they have exclusively worked with Kevin. Personally, it is my ultimate favorite but I think their newest “Mother” has cemented into a stable second place. While I tend to stop following bands in between albums, ITM has been in the same bag as other bands like Linkin Park and Within Temptation where I am always looking at my trustee sources so I don’t miss out on anything they release in the future.

Kevin has also worked with heavy metal band Five Finger Death Punch on their album “American Capitalist” which I think came out the same time but I’m really not for sure!Now, for anyone who doesn’t know, this was my first and most beloved album by FFDP and it was also with this collection of songs that I found out that I could enjoy the harsher style of male voices in rock ‘n roll, thanks to Chester Bennington! A year or two later, after working with James Michael, Papa Roach started going to Kevin Churko and he has produced their music since probably 2014 and even though I have only really heard the singles from the last three albums, I usually love anything they put out to the fans.

A couple of things I learned while writing this post were: I have been spelling his name wrong, so I had to change the banner and everything else, so if you notice any misspellings throughout this post, I am so sorry! The next one is he has alongside another producer that was on my original list – Mutt Lange. My mom actually suggested him but once I decided on doing this as a miniseries, he was cut out of the lineup but I thought this was interesting (but odd) to include here. And lastly, Kevin’s son Kane Churko is also a producer, and generally works with the same acts but has done a few remixes here and there too!

Have you listened to anything produced by Kevin Churko? If you have, what are your favorite(s)?