The music that came out in July was on another level.
I’m not sure if the Olympics in Tokyo were responsible for the increase of bangers but I am living for it anyways!
There were moments where I wanted to listen to every genre I could get my toes on, and then I back track it with just individual artists and I would be listening to their albums in two days, for example, one evening I started craving Linkin Park and I ended up listening to my favorite albums and I didn’t stop until the next afternoon and I was even looking up my favorite YouTube videos of them, and for like four days, I felt like I was in heaven. And then I realized that the date of Chester’s death was coming up and I became very sad quickly… but it was still great to get back into my favorite songs and sing them at the top of my lungs again.
Another band that I think was having a great month is Halocene. They are an unsigned band in Arizona and only have three members: Addie (vocals), Brad (backup vocals and guitar), and Joe (drummer). that love to do covers of songs in various genres. Personally, I tend to fall in love with their covers of rock and heavy metal songs. Addie does a terrific job of handling her voice against some of these darker and low vocals. The band itself released three covers and they were “Zombie” by The Cranberries/Bad Wolves, “Throne” by Bring Me The Horizon (featuring Ai Mori) and “In The End” by Linkin Park (featuring NerdOut). These are the ones on their YouTube channel but they also have another BMTH cover on Ai Mori’s channel and that song is, “Can You Feel My Heart” but I didn’t enjoy it as much and still drives me nuts!
They also released a brand new original song, called “When Demons Come To Life” and it is awesome! It has Lauren Babic and I really enjoyed the fact that she is singing on the majority of this song, because lots of people know she’s a damn good screamer but I think everybody forgets that she has this soft, child like voice too and it really works wonders against Addie’s vocals too. The music video is very creepy as they show like an asylum and it really draws you into the meaning of the lyrics and everything just works so good! They tend to do a lot of videos and they’re all different and exciting in their own ways but this has to be my favorite because it fits so well with the song and there are not many music videos like that.
I think it’s finally time to tell you my Top 25 songs are for July. If you want to check out the entire Spotify playlist, click here.
Writing’s On The Wall by Yale Out Of The Blue Hurt by Christian Reindt featuring Lloren Gravity by Sara Bareilles Realm Of Dreams by J2 Rani Cypher by Raja Kumari featuring Dee MC, SIRI Twisted by Carrie Underwood Remember by Leah Confessional by Janet Devlin Weight Of Everything by Ill Factor featuring Katie Garfield Take You Dancing by Jason Dersulo Infected by Starset Harleys In Hawaii by Katy Perry Fallin’ (Adrenaline) by Why Don’t We If It Makes You Happy by Sheryl Crow Say You Love Me by Jessie Ware The Messenger by Linkin Park Harley by Letters From The Fire All In by 2WEi featuring Marvin Brooks Die With Me by Gemini Syndrome Holy Roller by Spiritbox Galway Girl by MALINDA Hard To Kill by Beth Crowley She’s Fire by Diane Warren featuring G-Eazy & Santana Drinks by Cyn Savage (bitmastr remix) by Bahari
I said this the other day on my Instagram but I love how different my music tastes are on daily basis. They are NEVER the same to the next and honestly, it makes things even more exciting because I absolutely love sharing what I am listening and loving lately with people. I mean, I wouldn’t be doing these posts for my personal enjoyment–although I have in the past!–without influencing somebody else to look outside of their comfort zone. I like a bit of everything and obliviously I’m not afraid to show it!
Now it is your turn, what were you into this month?
As promised I am back with another album review, but this is a tiny bit different.
You see, I was asked to check this release out and I am still wondering why I agreed because I had been asked over and over in the past two months to listen to this person or that and I always said “no” to them. Despite wanting to come back to doing more music reviews, I just don’t want another pop or indie artist. I want someone that creates music that I am truly interested in and right now, the genre is cinematic or epic music. So, that’s why I ended up agreeing to listen to Matias’s work with “Epochal” and I hope you all will enjoy what comes forth in this post.
Who is Matias Bacoñsky? Well he is an Argentinian pianist and composer for one. He has three other albums under his belt, so if you’re not exactly into this style of music, you should check out: “When The World Ends,” “Straight From The Heart,” and “Life and Death.” For this album, Epochal he is doing something unique, he was inspired to create a full on symphonic metal type of work with the addition of using a choir and has some electronical elements here and there too. Matias was lucky enough to work with two top singers in the symphonic metal world and they are: Marina La Torroaca of Exit Eden and Zuberoa Azarnez from Diabulus In Musica. So, now that I have grabbed your attention, let’s get into the songs, shall we?
We start with a great title, “New Dawn” and I like it when you begin an album on the right foot–no disability pun intended there!–and this was certainly a soft introduction as far as temple and overall sound. It had a mild earthily tone to it and I really enjoyed the pictures it allowed me to create in my mind. Next up is, “The Immortal” and as much as I wanted something very explosive, I liked the gentle build to that space I was originally hoping for, and it was somewhat subtle but again I enjoyed it. I loved the little breakthrough in the middle as I imagined myself bursting through something and flying around in the sky like a fairy. For a person who hasn’t paid that much attention to The Hobbit films, that’s all I kept seeing in my brain were images of elves and greenery!
Third in line is “A Second Chance” and no, that is not a typo! On this track, I thoroughly loved it because I thought you could hear the piano a lot easier without any other elements going on, but it was somewhat short lived because more and more things started to happen and the entire song built into a happier note. I thought the choir in the background was a tad bit much as it brought the vibe down into this mysterious atmosphere,, but it wasn’t too bad though! We move on to, “Reason To Believe” and even though we hadn’t made it too far in the album, I stopped trying to guess what each song would sound like because I was already one out of four. Anyways, I definitely sensed a shift with this track that we’d move on to the more serious take and I didn’t know if it was intentional but it was a simple turn of events.
“Breakdown” was next and it was the track featuring one of the guest artists. Zuberoa Aznarez of Diabulus In Música. I have dabbled through DIM’s music in the past but I was curious as to what Zuberoa would bring to the table. Her vocals are absolutely beautiful and soothing. She has a deeper sound to her voice and it is really powerful and yet quiet up against the piano and various bells in the background. She’s not really singing anything, I mean there are no words but you can certainly feel her presence on this song and it was very lovely! After completing that one, we have “Light On The Horizon” and it didn’t take me very long to make my overall judgements because I knew everything was perfect from the moment it begun. It was hauntingly mystic and I just couldn’t get enough of it honestly! There’s not much else I can say about it so we’re going to continue on with the list.
Our next track is called “Ambivalence” and this was another one that I noticed had a different take to it, although for me, it didn’t happen until the middle of the song but it started out with this slow almost icy way about it and then with the addition of the choir, everything became heightened and darkened at the same time. It was interesting because I wasn’t really feeling it as it began but once that door opened, my thoughts changed and so it was an odd one for me. We are nearing the end of the line and with the eighth spot, “Tree Of Life” was so pretty! I love trees in general, their way of ever growing below in the roots or up towards the sky. They are older than anyone of us, so I thought this was just gorgeous! I kept seeing the evolution of trees throughout the different seasons plus many, many shades of green too.
Next we have, “All In Vain” and despite telling myself to not judge on what it could sound like, the first words after looking at the title were “uh oh” so I was mentally prepared in case this one brought out my emotions a little bit. It did, but not in the way I expected it so that was good! The bells are notable and I have grown to appreciate them just as much as Matias’s piano skills! And finally, there’s “You” with Marina La Torraca of Exit Eden. From the moment it started, it was slightly dark and Marina’s voice is definitely higher and has a petite appeal to them so it lightens up everything and it was a fantastic finish to the whole thing. Normally, I would like to go off with a bang and thought it was different but strong at the same time.
As much as I adore music like this, unfortunately, I don’t listen to it like my heavy metal and pop records. I really thought it was enjoyable! I can definitely say without a doubt, “Light On The Horizon” is my ultimate favorite track. All of the songs were beautiful in their own ways but this really captured my heart and clearly hasn’t let it go yet and I am perfectly fine with it!
Have you listened to “Epochal” by Matias Bacoñsky yet? If you have, what were your thoughts on it? Do you have any favorites from the track list?
When Tommee Profitt comes out with something new, especially an album, you know I have to come out of hiatus for it. Fortunately, this isn’t the only review I am doing this summer. There is a big possibility you will get another when I come back for the end of July.
I didn’t even know it was coming out until about four days before it was released. As of the 20th of June, I still hadn’t listened to it because I kept going back and forth whether I wanted to blog about it, like as a proper album review, but since I hadn’t done one of these in so long that I literally almost vetoed it altogether. Thankfully, I changed my mind because I am in need of a cinematic binge, what about you?
So, let’s recap before we go too far into this post. Tommee started launching these clusters back in 2017. It doesn’t seem that long ago, but it might have something to do with the fact I never talked about volume six–I still don’t understand why I never did anything with it but I will say, it is still an album that isn’t as popular compared to the others for me. After that release, he took a mini break and worked with Fleurie (who frequently lends her voice and lyrics on past works) with their ‘Game of Thrones’ project “Gloria Regali” and then he devoted his time with Christian rapper NF on “The Search” (2019) and “CLOUDS MIXTAPE” (2021), but now he’s back with this bad boy, and I think we’re ready to get into it now.
The first track, “Who Will Save Us” actually features Fleurie, which honestly doesn’t surprise me. Tommee is known to work with both veterans in the cinematic world and some newbies too! I really liked the mild sounding of the introduction, it collides into Fleurie’s voice really well and even when the song explodes with this fierce power, neither one of these aspects are lost in the chaos. My only bad thing about is, it’s pretty short and I think I would have liked it more if it was a little longer and surprised me a little more too. Next we move on to, “Sinners & Saints” and this was the song that made me think we could be getting some new music by Tommee but I did not think an album would follow suit! I adore Beacon Light and I always feel happy and sort of lighter while listening to his songs and this one wasn’t any different. The one thing I wasn’t expecting was Moilba Mustapha and that country vibe coming through in the choruses. It is really good and definitely hits differently!
The artist Stanaj has a gorgeous voice! Personally, I am still obsessed with their track “Love Me” so I was thoroughly ecstatic to see them on here working with Tommee. “I Will Be Your Hero” really cuts you deeply with that slow beginning with just Stanaj’s soft vocals and piano in the background. You always know the song is going to be good if the piano is the main instrument–at least for me it always is! This song is so full of emotions and raw; it’s almost sexy in a way. Our fourth song is “Be Careful” with Laney Jones. I’m pretty sure Laney has been on the other albums but don’t hold me against that because I could be wrong. Anyways, I am in love with the music box lullaby start because it gives it a sweetly dark vibe and thankfully we glide into that feeling for the entire track. I need more of these type of songs honestly. I am surprised it was playing during the promos for the new Conjuring film that came out earlier last month.
As much as I didn’t want it the previous to end, we move to “Reign” with Anna Graceman. Now I will say, I don’t recognize Anna’s name nor her voice, but I like it. She has a soulful element that I didn’t think I needed until I heard it for this song. The track is very pop oriented but with her type of voice, it kind of gives off this bluesy vibe that isn’t overbearing by any means, but it is there as she hits those high notes towards the end. One thing I definitely approve of these albums–well, technically, I approve of a lot of things, but this is a favorite of mine!–s that he will include one or two instrumentals and with this installment, we get two of them. We begin with “Nocturnal Opus” and it definitely gives off that feeling it was created either late at night or after you’ve been up wayy over your limit. However, I really enjoy the eerie sound of the choir in the background. The entire track is spooky and wonderful. It ties in beautiful with “Be Careful” although they are two songs apart from each other.
“Powerful” is the one that I’ve been looking forward to the most as it has two of my favorites: Sam Tinnesz and Ruelle. These artists are very well-known in the cinematic pop world, as Ruelle has worked with the TV series Shadowhunters and Sam Tinnesz is basically everywhere now! I hear them all the time and it always makes so happy to see them getting all of this attention. The song itself is pretty mild but I honestly enjoy this seductive balance between Sam and Ruelle’s voices. They are both quite soft and it was nice to hear a beat match their octaves in this way. I had to listen to this one about three times to actually relish in it for a while. However, I had to go on and “Frontlines” was a nice sequel. It has another guest artist that has worked with Tommee before, Jessie Early. She reminds me of Ruelle but with an extra punch, I think Ruelle is very airy, dreamy sound whereas Jessie has a darker edge and is perfect fit on these fast paced tracks. I think my overall favorite element of this one are the string section near the end. They really make the song better!
The eighth record is called “Wake Up” and we have Xeah and this is so beautiful! I really adored the simple introduction, where its just their voice in that low, almost monotone sound and nothing else. We get a few lines like that but then it explodes and it is really strong and suspenseful in every way. The most interesting thing is, Xeah doesn’t have a lot of lyrics so the rest is instrumental, and it is super hypnotic. I thought this was the coolest one on the album, until I heard the next one. “Lament From The Grave” features Stanaj again, and I don’t want language Stanaj is singing but I love it! It kind of gave me like Hans Zimmer vibes because I’ve heard several tracks that are similar, so it was an interesting and new thing for not only me, but Tommee too, because we haven’t heard anything like this before. It sounds exotic and heartwarming at the same time though.
We are nearing the end of our time together; I hope you’re still with me.
I am such a sucker for anything with a little bit of moxie in it. “Welcome to my world” is definitely one of those types of songs. The artist included in this one is :LYRA, and I don’t quite know if they have been on previous numbers or not, but I like their voice. I feel like this could be great playing on the first episode of “Riverdale” new season this fall or perhaps the reboot of “Gossip Girl” It has a gripping but flirty sound and it is so good! Next is our final instrumental, “The Day Before” and I don’t know about you, but anything with these three words will have a sad element to it. You may not hear it at first but it’s there. I think it was really good, not at all crazy but perfectly balanced to showcase both a lighter and sort of panic atmosphere and it really works well with the final track, which is “Tragic” with Fleurie. It is a beautiful broken type of song and I really like these different sounds of bells going on in the background. It was the perfect ending.
I was honestly a little worried after I started this post, because I wasn’t sure I could do it anymore. I feel like I’m not the best person to review albums because I’m not great at describing things–I feel like I’m worse at discussing music. So, I took a big risk at jumping in with a Tommee Profitt produced album but I did it. I may never understand why I didn’t talk about volume seven but this one was really impressive! It was definitely needed after we went through in 2020, so I would rate it as six out of ten stars altogether.
Have you listened to “Cinematic Songs (Vol 7)” by Tommee Profitt yet? If you have, what song(s) was your favorite? What about the guest singers too?
It is absolutely crazy that July starts on Thursday, like seriously?! I just embraced June for all its worth and we’re moving on to another month fast as lightning! I have to say, June was pretty good. The temperatures have been fairly high lately but I have figured out a system to hang out with our cats in the evenings. I think they enjoy it just as much as I do because they are super lazy around 5-7pm and they all want to love and I’m here for it! I’ve also found out that my cat Stormy isn’t the only one who enjoys belly rubs: Oscar and Nelson loves it too!
For music though, I have sort of shifted from like this dark pop aesthetic I’ve been in since the middle of March, to suddenly for the last couple of weeks, all I want is rock music. I’ve been listening to Sirius XM Octane like crazy and I’ve heard a lot of really good music on there to the point I have been sharing some of my favorites as part of my “Song Of The Day” Instagram stories in the evenings. And then recently, I decided to use my iPod again and I’ve been bringing back the good old school Kelly Clarkson and rediscovering symphonic metal as a whole, so I’ve been keeping things interesting, that’s for sure!
As for the monthly playlist, especially for this post, I really tried to shorten it but honestly there are a lot of tunes I was thoroughly obsessed with that I couldn’t take them away, although they are included in the Spotify playlist. I ended up creating a Top 30 because of my inability to choose my ultimate favorites for June.
Gettin’ Even by Seasons After Thinking Out Loud by Ed Sheeran Macaroni Salad by Niia Muscleville by Kai Wachi WYGD by Empara Mi Peaches (Remix) by Justin Bieber featuring Usher, Ludacris & Snoop Dogg Dark Side by Blind Channel Ruthless by Nonpoint Remedy by Savage After Midnight Pure Evil by Like A Storm The Devil by BANKS Girls by Zella Day A Girl Like You by Machine Gun Kelly x Travis Barker Time Warp by Apashe featuring Sami Chaouki I Care by Paul Hernandez Parachute by Saint Chaos Believer by Lea Michele Your Betrayal by Bullet For My Valentine Warrior by Atreyu featuring Travis Barker Only Love Can Save Me Now by The Pretty Reckless Deal With It by Ashnikko featuring Kelis Papi by Isabela Merced Drivers License by Olivia Rodrigo You Thought Wrong by Kelly Clarkson featuring Tamyra Gray Astronaut In The Ocean by Masked Wolf Talkin’ Bout by Loui featuring Saweetie Right Now by Fire From The Gods Didn’t Know Love by Celine Dion Adios by EVERGLOW MONTERO (Call Me By Your Name) by Lil Nas X
I know I might be a little early making this announcement but I have already started keeping track of various songs to include in my Summer 2021 playlist in September. There are some that wouldn’t surprise you at all, but they are a couple of special tunes that I think will make themselves known in the next three months. Have you already discovered your summer anthem for the year yet?
There have been some albums and EPs that I’ve listened to lately, that I thought I would share with you today. If you still enjoy the occasional dubstep genre, you should look into Kai Waschi as they have released a brand new EP a few weeks ago called “MUSCLEVILLE” and even though it only contains five tracks, it is really good! I don’t listen to a lot of dubstep and/or trap music anymore but I keep Kai around for those ‘once in a blue moon’ kind of days. The other artist you should consider is Tommee Profitt, although Tommee isn’t the main artist, he did produce every song on the album, so he is listed first before any of the guest singers. I’ve been thinking of doing a review of the new album: Cinematic Songs Vol. 7 but I already have a tight schedule for July so we will have to see what happens.
I was really wondering whether or not I would have this post ready for you. Despite knowing how easy it is getting these monthly playlists together, I still didn’t want to half-ass it. For most of the month, I’ve felt foggy about life and the only thing I’ve really enjoyed lately is music.
Now that we’re heading into the summer months and all of these different festivals and tours are setting out dates throughout the country, everything feels different. It is strange how quiet it was at this time in 2020. I am surrounded by happiness on the radio. Our favorite artists and bands didn’t just hang around in quarantine, they worked their asses off making new music for us to enjoy in this moment of freedom. I am very excited to see what goes on this summer!
I hope we start to see even more things as we go into June and eventually July. I know I’m not alone in hoping to see these changes become part of our “normal” again. However, there was a tweet I saw earlier this week, someone had mentioned that since everybody were announcing these concerts again, the measures to make sure they are accessible to everyone–meaning to people who have disabilities like me!–will be far and in between and honestly, that really sucks! I think that’ll definitely be something we will miss the most because these live-streams were our lives during the many lockdowns/quarantines. I do want to say, I only watched one free live-stream show and that was G-Eazy back in late August I think, and I really didn’t care for it. I like the audience just as much as the musicians. I feed off of their enjoyment and expressions too! So, I am hoping that maybe these festivals will live-stream different sets for people who could not go to it because of their disability!
Anyways, let’s get into the actual playlist; here were my Top 20 songs for May! If you want to check out the full list, click here to be transported to the whole Spotify playlist.
Arcade by Duncan Laurence You and I by Leon Lonely No More by Rob Thomas Never Leave This Bed by Maroon 5 The Reason by Zayde Wolf Blooming by Violet Orlandi If I Should Die by Niia featuring Girl Ultra Big Bad Wolf by In This Moment Hex Girl by Dreadlight featuring Maiah Wynne BOMBSHELLEXE by YukoEXE Gravedigger by MXMS Let Me Go by 3 Doors Down I’m Not Sorry by Celeste Buckingham Warrior by League of Legends x 2WEi featuring Edda Hayes Wild Blood by Sam Tinnesz featuring Pep Squard If You Love Her by Forest Blakk Drunk (And I Don’t Wanna Go Home) by Elle King featuring Miranda Lambert Everything I Wanted by First To Eleven Rise Up by J2 featuring Keeley Bumford Anarchy by Lillith Czar
I don’t know how you listen to music on a daily basis, but I’ve noticed lately that I will start with Spotify and after two or three songs in, I will go on YouTube and found a video on The Dodo channel and all of a sudden find ‘my mix’ and start playing whatever I’ve been watching on there nonstop and completely forget about what I was listening on Spotify! For the past week and a half, I’ve had to done it seven times! It doesn’t matter the time of day (or night for that matter!( but it will slip my mind and then of course, I wonder why in my Discover Weekly isn’t fitting right with the aesthetic I’ve listened to that coming Monday.