Album Review: “Dogviolet” by Laurel

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I am very behind on some of my new releases lately. I had plans on putting up at least four reviews throughout September, but I just didn’t feel like it, so I eventually decided on the two that I knew I wanted to talk about the most, and we start with Laurel’s first full album called “Dogviolet” that was came out on August 24th 2018! The album itself consists of 12 songs so we’re going to be here for a while.

I have talked about Laurel before, the first time I was introduce to her mysterious voice, was during a steamy scene on The Vampire Diaries with Damon and Elena, they were basically having vampire sex and her song “Fire Breather” came on and I remember rewinding that scene so I could hear that song again. At that time, I wasn’t a “Delena” fan so that definitely wasn’t the reason for the repeat of that activity I swear! When she released her EP “Holy Water” back in 2014, and it kept that dark alternative sound to it and I just loved it! However, I’ve noticed that her music has went in a totally different direction, it’s more in the indie rock category now and even though I was a bit taken back at this new sound, I did slowly coming into it with an open heart purely because I love her voice, and honestly it works with both genres in a way.

Laurel did release a first single back in June I think and afterwards she began to put out three to four songs on EPs throughout the summer. I was tempted to listen to those but I knew this was coming so I kept myself away for as long as I could! So, let’s start with the first track “Life Worth Living,” I want to say that I like the title, but the song itself is fairly soft, although I do like when the drums make their presence known, against her raspy voice, she has such a blues-y tone that it works that good with this sound. It actually made me feel good, and I was even dancing too! I liked it a lot. Next we have “All Star” and this one has a seductive tone to it in the way she sings her way through the story, and again I had trouble not dancing to the gentle groove of the guitars.

Third is “Same Mistakes” and this has a more hearty sound, it still that soft undertone but the best way I can describe to what I’m hearing is a sassy sound. I think it fits with the topic of the actual song, because it’s very upbeat and I was somewhat surprised that I liked it that way even though it was basically a break-up song. After that is “South Coast,” I generally loved this. I thought it’s an ideal autumnal type of song by the fact that it’s so easy-going and full of emotions. I didn’t really want it to end that’s how much I enjoyed this one! Next is “Hold Tight” and from the moment it started, I was glad to hear a different cord on the guitars. It’s definitely a lot calmer in the groove. The song is so different compared to the previous tracks, and I’m so glad because I can’t stand when most, if not, all of the songs on an album sound alike, it’s annoying!

“Adored” is next and I really love this one! When it first came on, I was like “this is going to be good” and I was right. It has this fierceness quality about it, and another uniqueness that I enjoyed was the “ah, ah, ah” throughout the choruses, they just added another element to this track.  Next is “Sun King” which at first reminded of what people called the Kings in France before the monarchy was overthrown in the 1700’s. That’s strange, I know! Anyways, the song itself is interesting because it’s an admiration song for whoever she’s talking about, and the sound is quiet but in a good way. You only hear two things: Laurel’s beautiful and dreamy voice and a breezy electric guitar. It’s actually very pretty!

We move on to “Crave” and as I figured we have a song that has a more seductive way about it. It’s not that dirty but with just the cords and velvet voice, it gives the song a sexy vibe. I can tell it more so with this track than any of the other songs which surprised me because they all are somewhat similar in their own ways, but we’ll get that in a bit. Next there’s the first single that came out in the early part of summer, “Lovesick” and what shocked the most was when I heard this for the first time, I didn’t think I’d really like this direction, but the song changed my point of view. Unfortunately, there is one bad part of this song. Since I’ve heard the rest of the album after listening to this on repeat, it does sound incredibly similar to “South Coast” as far as the tone and sound around the choruses, so that is a bit of a let down for me. but it makes sense in a way since I really meshed with both tracks in the same way!

We’re almost done with the review, we only have three songs left. “Take It Back” is this fun song to listen while cruising in the countryside in the middle of the afternoon. At least, that was came to me when I started listening to it! It’s upbeat and chill at the same time, and I really liked it. There’s “Empty Kisses” and I hoped that this would be a quieter sound to it, and I wasn’t necessarily happy or sad on what I got with this, because the sound itself was a little cheerful – although the tempo never went away so it still kept that quiet way to be counted as a sweet, love song to my standards. Lastly, we have “Recover” and I decided to let it play and see what the outcome would be and somehow what I wanted in the previous song, I got with this one but I actually liked it better because I would rather have an album like this, fade off into the distance. I’ve always been this way and I’m glad that this is how it ended. It even ended with this last shard of uniqueness of what sounded like a ukulele in the background of the song, I thought it was an interesting element to add for this song.

 Now that we’re done officially, I can say that even though there were many songs that sounded like the other, it was actually pretty good! One of the things that I thoroughly enjoyed (which freaked me out) was the clear 1970’s vibe I was getting from majority of the songs on this album. I thought at first, that this was caused by Laurel’s voice but then my views quickly changed when I discovered that it was the blues-y guitars. It was a fun and interesting pop-rock album, definitely not what I was expecting, but a good end of the summer release though!

Have you listened to Laurel’s new album yet? We’re you supportive in the change to her music? I’d like to hear some of your thoughts in the comments below!

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