Album Review: “Cinematic Songs Vol. 7” by Tommee Profitt

When Tommee Profitt comes out with something new, especially an album, you know I have to come out of hiatus for it. Fortunately, this isn’t the only review I am doing this summer. There is a big possibility you will get another when I come back for the end of July.

I didn’t even know it was coming out until about four days before it was released. As of the 20th of June, I still hadn’t listened to it because I kept going back and forth whether I wanted to blog about it, like as a proper album review, but since I hadn’t done one of these in so long that I literally almost vetoed it altogether. Thankfully, I changed my mind because I am in need of a cinematic binge, what about you?

So, let’s recap before we go too far into this post. Tommee started launching these clusters back in 2017. It doesn’t seem that long ago, but it might have something to do with the fact I never talked about volume six–I still don’t understand why I never did anything with it but I will say, it is still an album that isn’t as popular compared to the others for me. After that release, he took a mini break and worked with Fleurie (who frequently lends her voice and lyrics on past works) with their ‘Game of Thrones’ project “Gloria Regali” and then he devoted his time with Christian rapper NF on “The Search” (2019) and “CLOUDS MIXTAPE” (2021), but now he’s back with this bad boy, and I think we’re ready to get into it now.

The first track, “Who Will Save Us” actually features Fleurie, which honestly doesn’t surprise me. Tommee is known to work with both veterans in the cinematic world and some newbies too! I really liked the mild sounding of the introduction, it collides into Fleurie’s voice really well and even when the song explodes with this fierce power, neither one of these aspects are lost in the chaos. My only bad thing about is, it’s pretty short and I think I would have liked it more if it was a little longer and surprised me a little more too. Next we move on to, “Sinners & Saints” and this was the song that made me think we could be getting some new music by Tommee but I did not think an album would follow suit! I adore Beacon Light and I always feel happy and sort of lighter while listening to his songs and this one wasn’t any different. The one thing I wasn’t expecting was Moilba Mustapha and that country vibe coming through in the choruses. It is really good and definitely hits differently!

The artist Stanaj has a gorgeous voice! Personally, I am still obsessed with their track “Love Me” so I was thoroughly ecstatic to see them on here working with Tommee. “I Will Be Your Hero” really cuts you deeply with that slow beginning with just Stanaj’s soft vocals and piano in the background. You always know the song is going to be good if the piano is the main instrument–at least for me it always is! This song is so full of emotions and raw; it’s almost sexy in a way. Our fourth song is “Be Careful” with Laney Jones. I’m pretty sure Laney has been on the other albums but don’t hold me against that because I could be wrong. Anyways, I am in love with the music box lullaby start because it gives it a sweetly dark vibe and thankfully we glide into that feeling for the entire track. I need more of these type of songs honestly. I am surprised it was playing during the promos for the new Conjuring film that came out earlier last month.

As much as I didn’t want it the previous to end, we move to “Reign” with Anna Graceman. Now I will say, I don’t recognize Anna’s name nor her voice, but I like it. She has a soulful element that I didn’t think I needed until I heard it for this song. The track is very pop oriented but with her type of voice, it kind of gives off this bluesy vibe that isn’t overbearing by any means, but it is there as she hits those high notes towards the end. One thing I definitely approve of these albums–well, technically, I approve of a lot of things, but this is a favorite of mine!–s that he will include one or two instrumentals and with this installment, we get two of them. We begin with “Nocturnal Opus” and it definitely gives off that feeling it was created either late at night or after you’ve been up wayy over your limit. However, I really enjoy the eerie sound of the choir in the background. The entire track is spooky and wonderful. It ties in beautiful with “Be Careful” although they are two songs apart from each other.

“Powerful” is the one that I’ve been looking forward to the most as it has two of my favorites: Sam Tinnesz and Ruelle. These artists are very well-known in the cinematic pop world, as Ruelle has worked with the TV series Shadowhunters and Sam Tinnesz is basically everywhere now! I hear them all the time and it always makes so happy to see them getting all of this attention. The song itself is pretty mild but I honestly enjoy this seductive balance between Sam and Ruelle’s voices. They are both quite soft and it was nice to hear a beat match their octaves in this way. I had to listen to this one about three times to actually relish in it for a while. However, I had to go on and “Frontlines” was a nice sequel. It has another guest artist that has worked with Tommee before, Jessie Early. She reminds me of Ruelle but with an extra punch, I think Ruelle is very airy, dreamy sound whereas Jessie has a darker edge and is perfect fit on these fast paced tracks. I think my overall favorite element of this one are the string section near the end. They really make the song better!

The eighth record is called “Wake Up” and we have Xeah and this is so beautiful! I really adored the simple introduction, where its just their voice in that low, almost monotone sound and nothing else. We get a few lines like that but then it explodes and it is really strong and suspenseful in every way. The most interesting thing is, Xeah doesn’t have a lot of lyrics so the rest is instrumental, and it is super hypnotic. I thought this was the coolest one on the album, until I heard the next one. “Lament From The Grave” features Stanaj again, and I don’t want language Stanaj is singing but I love it! It kind of gave me like Hans Zimmer vibes because I’ve heard several tracks that are similar, so it was an interesting and new thing for not only me, but Tommee too, because we haven’t heard anything like this before. It sounds exotic and heartwarming at the same time though.

We are nearing the end of our time together; I hope you’re still with me.

I am such a sucker for anything with a little bit of moxie in it. “Welcome to my world” is definitely one of those types of songs. The artist included in this one is :LYRA, and I don’t quite know if they have been on previous numbers or not, but I like their voice. I feel like this could be great playing on the first episode of “Riverdale” new season this fall or perhaps the reboot of “Gossip Girl” It has a gripping but flirty sound and it is so good! Next is our final instrumental, “The Day Before” and I don’t know about you, but anything with these three words will have a sad element to it. You may not hear it at first but it’s there. I think it was really good, not at all crazy but perfectly balanced to showcase both a lighter and sort of panic atmosphere and it really works well with the final track, which is “Tragic” with Fleurie. It is a beautiful broken type of song and I really like these different sounds of bells going on in the background. It was the perfect ending.

I was honestly a little worried after I started this post, because I wasn’t sure I could do it anymore. I feel like I’m not the best person to review albums because I’m not great at describing things–I feel like I’m worse at discussing music. So, I took a big risk at jumping in with a Tommee Profitt produced album but I did it. I may never understand why I didn’t talk about volume seven but this one was really impressive! It was definitely needed after we went through in 2020, so I would rate it as six out of ten stars altogether.

Have you listened to “Cinematic Songs (Vol 7)” by Tommee Profitt yet? If you have, what song(s) was your favorite? What about the guest singers too?

Music Monday | Tommee Profitt

Hello!

For my last post for this series, I will be talking about Tommee Profitt. A music producer, composer and songwriter that I’ve been keeping up with since probably the end of 2017. I still don’t really know how I found him in the first place; I do remember I was on Spotify, but the connection between the two is still a little foggy. Anyways, it happened and it’s been incredible journey so far!

What a lot of people don’t understand is that, everything is connected in some form or another. Everything happens for a reason.

To me, there really isn’t a big jump between symphonic metal and cinematic/trailer music. I think there are a lot of similiarities between the two of them, epesically when it comes to writing the concept. The lyrics are easy to read and can be filled of different emotions. They both encourage the use of choir and big orchestra elements depending on the mood of the song itself.

Now as I say “trailer” music, I don’t necessarily mean Hans Zimmer, Alan Silverstri, etc. Nowadays, composers like Tommee and vocalists you have probably never heard of yet somehow they are (mostly) all located in Nashville are creating these gorgeous songs for various promos and they are becoming the new generation of what is cinematic music. Lately, the world has started to see the genius of Tommee’s work, which is really awesome! Two years ago, Tommee teamed up with a long time contributor Fleurie to do a tribute album for the final season of “Game Of Thrones”. I previously listened to the soundtrack that was put together Travis Scott, Ellie Goulding, Hallie x Chloe, etc. However, this one was worthy to be part of the score I thought because it was so beautiful with Fleurie’s dreamy vocals and fierce compositions behind her in the music.

You may not know this, but last year he worked with Christian rapper NF on his album The Search. I think the two of them have worked together before this release, but I’m not too sure about it. I feel like I can judge what feels and sounds like something Tommee would create, but in the last two cinematic compilations, he is starting to expeiment with other genres like country and a little bit of rock, which is great but sometimes I have issues with figuring out what Tommee has produced for him or not. There are other artists he tends to work with a lot, and they are Sam Tinnesz, Ruelle and Jung Youth. If you haven’t heard of anybody featured in this post, you should definitely give everybody a listen, trust me, you’ll end up loving something among the people I’ve included in here.

Have you heard of Tommee Profitt’s work? If you have, list that person or any others below in the comments for me! Do you have a favorite track too?

Album Review: “Gloria Regali” by Tommee Profitt x Fleurie

At this time, we usually get another collection of epic songs by Tommee Profitt, and I guess you would say that this would fit but the album has a very specific theme and features only one artist. So, it’s something completely different, but yet it isn’t. I think with the release of the previous volumes in the last two years, I think they were the “calm before storm” if you will; allowing our ears to hear something new to get us in the groove of a project like this to take over.

This project “Gloria Regali” was inspired by the new and unfortunately final season of Game Of Thrones. Last year, I started watching the series and instantly enjoyed it too, but since DISH does not carry HBO anymore, I am not able to watch the season along with everybody. Honestly, I should have expected this. I wasn’t really surprised when they made the announcement that it would be their last season but for some odd reason this wasn’t on my radar! Anyways, I was really excited to see Tommee Profitt using the show and maybe even the books for something like this anyways. I think Fleurie’s voice is incredible so the fact that she’s the only main vocalist on the album is really exciting to me!

Check out my review of Tommee Profitt’s album Cinematic Songs, Volume 3  here.

Let’s start off with the first track of the album, which is the title track “Gloria Regali”. I like the fact that they start it off kind of quiet. The beat itself is intense from the moment it begins but Fleurie’s voice has this soft quality to it and as the song progresses the song just explodes with those loud drums and choir. It is a great beginning into this journey and if you have watched Game Of Thrones, it also gives you this nice image of the great war brewing and who might sit in the iron throne. The second song is “Onward & Upward” and I thought the sound was more grittier, kind of gave me the vibe of being Cersei’s theme song maybe? The reason why I say that is because Cersei is such a sly, malevolent character and between this hard-hitting beat and Fleurie’s dark emotions coming out in this. It just reassured me that this was her song, but of course I could be wrong too!

Next is “Noble Blood” and at first, I thought I would regret my original statement above, but then the more I thought about it. This could be for Queen Daenarys, Mother Of Dragons. Can you guess which team I root for? I feel like this one had a more sensual sound to it, which really led to my decision to think this could fit her in the end. I think Daenarys is a very strong character, she’s had to sacrifice a lot to get to where she is right now in the story, everytime she gives away a part of herself as far as love goes, it always seems to be taken away or used against her in some way. So she’s had to learn quick and fight within her own terms. After that, we finally have our instrumental and that is “Desolation” and the first person that popped into my head was Arya. She’s like Daenarys in a way that she’s had to grow up quick, but she’s just powerful and honestly I won’t want to cross either one of them. Your death will not be peaceful and I think that’s what this sound brings out, is this fire (no pun intended) and fierce pace fit for two strong women.

The fifth song is “Winter’s Song” of course. This brought me back to Jon Snow’s time at and beyond The Wall. I also think it’s beautiful funeral track to all of the characters we’ve lost throughout the series too. It’s just gorgeous! It is in your face, but it is very gentle. Next we have “Undone” and it also has another slow start, but I have learned to love these types of songs because they are usually the best, and I was right; the sound just continues to grow and grow and you just wonder how it will all end. The drop itself was mighty and even it had a bit of a hip hop sound towards the ending, but I thoroughly enjoyed it!

Our seventh track is “Premonition” and this instantly gave me Brann vibes. It’s the one song that I didn’t have to guess who it was for, because of the title! I do appreciate the fact that it is another instrumental. I like the change of sound with this one. It has a ton of different elements incorporated within it and I thought it had some depth to it compared to the others. We move onto “Midnight Oil” and it has this mysterious introduction that I really enjoyed, but I actually ended up loving the whole song. I instantly got this powerful feeling come around me the longer it went on! I really loved the fierce but gentle sound of the beginning but the end was monstrous and I couldn’t get enough of it really! Four minutes and five seconds was apparently NOT long enough for me!

I thought “Remembrance” was our only “real” ballad off the album. The usage of the piano was beautiful! I feel like it would fit every “Saying Goodbye To ‘Game Of Thrones'” videos on YouTube we will see just before the last episode premieres because it just has that kind of quality to it. However, I quickly realized that the melody itself is the same of another one of Tommee’s songs. “Tomorrow We Fight” and another thing they share is Fleurie herself too! I knew once I found the other one, my original thoughts would disappear, because I generally dislike hearing same lyrics and/or melody shared with multiple songs. It’s still good but I would have liked to hear something that wouldn’t have me so easily distracted in this way. The final song is “Sound Of War” and personally I hoped for a banger, between the title and being the last of anything GoT in general, you’re kind of expected it to end with a big bang. I did like the quirky sounds in the introduction and the intense banging was a kicker. I really enjoy hearing epic songs about wars. I know it’s weird as crap but there’s something with the raw emotions of the singer and the rush of everything going on in the sound behind them is so exciting! They make you feel invincible and powerful at the same time and I’m thankful that this gave me all of those feelings at the end. It was perfect!

I thought this was a fantastic lineup of music for not only GoT fans will enjoy but anybody that loves cinematic music in general. I also think that quite a few of them might end up on some people’s workout or motivational playlist. I don’t really have any bad notes to add-on because I included what I really wanted to say in each section.

Now it’s your turn, what did you think of Tommee Profitt and Fleurie’s little creation? Do you have any favorites on the album?

Album Review: “Cinematic Songs, Volume 4” by Tommee Profitt

I am back with the fourth installment of Tommee Profitt’s cinematic collection. This album came out on the 4th of July, which I thought was pretty cool! If you’ve been reading my previous reviews of Tommee’s music, you know how freaking obsessed I’ve become, like if I hear a small snippet of any of Tommee’s produced songs on a TV show, I have to rewind that sucker just to hear it again! I automatically get so excited, because I love the fact that this kind of music is being played in almost ways! This batch of songs are no different.

For this album, I did cheat a little and gave myself a listen to like the first five tracks before I literally had to hold myself back from hearing the rest. As far as featured artists on this, you have some of the “originals” who have worked with him in the previous albums, like Sam Tinnesz, Fluerie and Steven Malcolm, but yet we also have some new voices as well! And of course, Tomme has included two instrumentals in different sections too.

Well, let’s get this started, shall we?

Click here to read Cinematic Songs, Volume 1 by Tommee Proffitt

We start off with “It’s Got My Name On It” that features Sarah Reeves, who sounds weirdly like both Ruelle and Fleurie with her soft, high-pitched voice. One of the things I like to do whenever I have a new artist like this, I tend to look up information about them on their Facebook music pages, and according to Sarah’s, she may only work on worship music, but this track is definitely not in that theme, which is fine anyways. I think it’s simple, lyric wise, but huge on sound. It also has a mysterious tone to it, thanks to the piano you hear throughout, but it slowly grows once you hit the middle of the song and it just explodes with such force. Second is “Welcome To The Jungle” and Tommeee had shared a trailer of a new show coming to CBS, called A Story To Tell and he mentioned that he “enjoyed creating creepy music” with artist Fleurie. This is so freaking creepy! However, I absolutely love it at the same time. In other words, it’s right up my alley!

We move on to “I Am Legend” with Colton Dixon, and if I remember correctly, he was a contestant on American Idol a few years back, wasn’t he? Whoever he is, he has a nice mellow voice. It works well with the cinematic sound, it’s a very epically (is that even a word?!) song but he has such a pop-rock kind of voice, somehow he made it work. I really enjoyed this! After that, we have “One Eye Open” and Daniella Mason, who has a beautiful voice herself. She tends to do alternative music, and I instantly liked that. I’m very interested in alternative musicians all of a sudden. Anyways, this song doesn’t sound like the rest on the album, and I love the uniqueness about it. It’s almost grime-y, very intense getting towards the end, but her voice is such a sweet kiss to this massive climax.

Click here to read Cinematic Songs. Volume 2 by Tommee Profitt

Fifth track is “Warriors” with my favorite Steven Malcolm, this actually came out as a single, when the NBA finals were about to start. Obviously, Tommee and/or Steven were rooting for the Golden State Warriors!  If the song wasn’t influenced by basketball at all, the song is really good anyways! I really love that hard, urban feel to the song! It also kind of has this creepy, I guess SAW movie like type of sound that makes it even better. Next there’s “Incendiary” and this is one of the instrumentals I was telling you about in the beginning, and after the previous song ended, I felt as thought this was good as like a part two. It was still very powerful, really loving the drums. They were fast and exciting! Once it’s done, “Wicked” is next and it features Royal & the Serpent, again I’ve never heard of them so I had to look them up, and they are an indie band. This song is extremely cool as it dabbles in the electronica world. I thought that was really cool, as I was not expecting that at all, but I love musical surprises.

“Feel That Fire” is next and it has Whissell on it, and I love her voice! She reminds me of ZZ Ward, that is if she had a deeper voice. I like the fact that the bluesy sound of her voice is very present in the song, even with the strings commanding as much space too. It just gave me a totally different vibe then the others on the album. Next we have another favorite vocalist of mine, Beacon Light and the song “Takin Over” and this has a sci-fi type of vibe to it when it first starts, but then when he speaks, that hip hop sound creeps in the back and it’s so interesting. I really love ominous sounding music, weirdly enough I have always been this way!

The last four songs, start with “Vagabond” with FJØRA and this is such a pretty tune. It’s so gentle and gives you this adventurous, wanderlust feeling while you’re listening to it. I think FJØRA’s voice was good, it gave the song a softer approach and the fact that Tommee didn’t give it an incredible finish like he’s known to do, because I think it would have been too much with her voice, between the lyrics, her voice and this mellow sound makes it different. Our last instrumental is next, and it’s called “Trail Of Evidence” and it’s absolutely stunning! I really loved the solo cello introduction, at least I’m hoping that’s what I’m hearing! I’m not very good at pointing out certain instruments, I’m sorry! When I first looked at the title, instantly I thought this would be this heavy hitter but it wasn’t. It was fairly soft, but powerful too.

Finally, we move on to “Can’t Hold Us Down” that has Sam Tinnesz in it. This was one of the first new songs I saw on YouTube that made me realize we might be getting a new set of songs soon, within a week later, Tommee announced it on his Facebook page! This song has that fusion of both cinematic and rock genres. I liked the fact that since Sam is a rocker anyways, that he’s influencing his known genre into the actual song. So, the entire thing takes a different turn, it could’ve been an explosion of a song. It was a good song, don’t get me wrong, but the it wasn’t in your face like I figured and ultimately wanted it to be in the end. The last song is “Hurricane” with Fleurie and we end this cycle in a very emotional based track. It instantly gave me this sad vibe. It does gradually grow into this colorful flower, but it never really loses that feeling of being lost.

Click here to read Cinematic Songs, Volume 3 by Tommee Profitt

This was a great mix of different directions. I like the fact that Tommee is getting more experimental with his beats, and the fact he’s using other artists with different ranges and bring their own flavor with them. I think that’s one of my favorite things about this genre; it doesn’t matter what kind of music you generally wok with to help express yourself, if you’re up for the challenge, something good could come out of it. This is how other people, who have never heard of these artists before, can discover new music within that song.

Have you listened to Tommee Profitt’s new volume of cinematic songs yet? If so, which is your favorite?

Album Review: “Cinematic Songs Vol. 1” by Tommee Profitt

Today, I have something a little different for you. This isn’t your regular album review. No, this is totally unique  I think in the way that it all came together. I hope you like what you read in my review below and if you decide to listen or purchase the album digitally, as that’s the only way it is released right now, please tell me your thoughts on it as well.

If you are familiar with my music tastes, you know how much I love anything epic cinematic, it can mean “trailer music” as a lot of people seem to categorize it like that. I think my infatuation with it started while I was finding more and more symphonic metal bands. Epic cinematic music is more like alternative pop to me, as it’s not entirely pop nor symphonic either. It’s a nice medium and I just love it to pieces because it too, can tell a deeper story than a normal pop song can in my opinion.

The album is produced by Tommee Profitt. He is also a composer and songwriter. You might have heard of his music on different networks like Freeform, ABC and the CW. In the “Cinematic Songs Vol. 1” he has a mixture of both instrumentals and tracks that feature different artists.

The track that starts us off is “No Escape (Genesis)” and it is an instrumental and if you know me well enough, you know I like a good, powerful beginning and just as epic end to it all. This track is no different. It’s a perfect beginning to the album. I like the air-y dreamscape it delivers. Despite it having a clear, war scene type of image in your mind, it also has a beautiful body of various emotions you can hear within as you would be able to see if it was a movie. The second is “Caught In The Fire” featuring the first singer of the album, it is Sam Tinnesz, who is a singer/songwriter from Nashville and he is also the lead vocalist of Wave & Rome.  I think this one is fairly quiet compared to the first, it does built once the chorus begins; that’s what is so interesting with cinematic music, you might have a peaceful introduction but by the ending, it has erupted into this glorious fire of sounds. No pun intended.

Third is called “Who Side Are You On” and it features one of my favorite pop-cinematic artists, the main reason why I’ve been so interested in the genre in the first place: Ruelle! She has the power to make a song like this, choosing a side between right and wrong, and twisting it on its head a little. I really love the synth drums and strings throughout the end of the choruses, it gives a sense of chaos I think of figuring out which side you believe. I think the best part of this is at the end, I love the last two high octaves the choir gives before finishing the song completely. I like paying attention to details, especially in music. It always leaves me curious and wanting more!

Next is a track called “Free” that is performed by singer Svrcina, unfortunately I couldn’t find a lot about her on her Facebook page like I could with the others, so I’m just going to have to wing it. Sorry! This one has a different sound compared to the first 3 songs, which is always nice. Svrcina has a nice deep voice, she kind of reminds me of Birdy in a way. I think they should play this for the Pretty Little Liars finale. I don’t watch the show, but I think it would be perfect for the main characters! Anyways, the fifth track, we’re back with the instrumentals! It is called “Insurrection” and I love the ominous feeling in the intro, best thing ever! I love the sounds that horns tend to give off in these types of tracks, a sense of war on the way, so they’re preparing, getting their strategies just right, and eventually fighting with one another. Those are always my favorite sections and let’s be honest, they usually have the best music sequences too!

Afterwards, we have a slightly softer sound by an artist Wondra, for the track “I’m Not Afraid” but again, it builds as she begins to sing, because at first all you hear is Wondra vocalization, it doesn’t sound like the previous tracks. I like the soft piano at the beginning and end. It’s very beautiful! It has a pop atmosphere but I actually like it though. Next we have Sam Tinnesz back with a second song called “Glass Heart” and we have another piano introduction with Sam’s gorgeous, questionable voice. I like the chorus section mostly because of the zigzag sounds you hear with the high-pitched notes of the piano with subtle low, sort of deep drums give it a dramatic feel. Surprisingly, I thought it could do without the string section at the end.

This one is called “Soldier” and it is performed by Fleurie, she’s another artist that is featured on our favorite television shows like The Vampire Diaries and The Originals. This is very pretty. I like the soft beginning that her voice brings to the table. It’s not too much or too little. The song is also very catchy, so it’s an ideal pop cinematic track. The ninth track is another instrumental, it is called “Rising Tombs” which explains a lot, because within the first seconds of it, it’s very quiet and then you start to hear these sounds like somebody walking up stairs. All the while the orchestra’s power grows and it becomes very energetic. I want to say, this one has more of an electronic sound to it, which I know sounds weird but it does!

We are on the last four songs, starting “Sleeping With A Ghost” and this one definitely has an electronica vibe to it, probably a little more than the last one. The singer featured in this is CAPPA and she is an indie-pop singer from Nashville. If I didn’t know any better, I’d say most of the artists on this installment are from the country music capital of Nashville. I love the diversity though! Next is a track called “I’m Seeing Red” and I’m in love with the title! You know it’s going to be badass with that kind of title and it is! So creepy but light and air-y with Aron Wright’s voice, but of course everything needs to grow and become a massive beast and that’s the best way to describe how this sucker concludes. It’s pretty unique!

We have our last single to feature Fleurie and it is “Hurts Like Hell” and I have to say both this track and the other are both featured on her EP “Love And War” that came out in November. This is a very beautiful track, I love her soft, almost quiet voice and a piano together. I’m only just discovering her and she just takes me away from the pain in my daily life and that’s what I love about cinematic music the most, it has the power to do that to you. Anyways, my favorite section is the bridges, you still have this eternal sound but like a bubble pops and the sounds intensifies but then it calms back down again. The last track is a bonus, it’s “Carol Of The Bells” and this makes me think of Christmas when I first heard it, I’ll be honest, but it’s a classic. Everyone has heard of it in their lifetime. I certainly have, I’ve just never known the title of it. It’s so beautiful though and the perfect finish!

I will be honest, I found this whole album on accident one night. I had been listening to Ruelle and was on her “Related Artists” on Spotify and found Fleurie and I have been curious to check out her music for about a year and I finally did and this was included at the bottom of her overview. So I thought I would do a review of what I thought of it as a whole and this is the result. I think Tommee has a fantastic group of tracks and featured musicians, everybody did a great job! All I have to do is wait for Volume #2 now!

What do you think of cinematic music? Are you lover or unsure about the entire genre? 

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