You guys know how much I love symphonic metal music, right? Leaves’ Eyes is one of the numerous bands cranking out amazing music to its fans! The five piece band consists of Joris Njenhuis on drums, Pete Streit plays guitar while Thorstein Bauer does bass and to round it out the band has two vocalists: Alexander Krull and the newest member Elina Sirala. “Sign Of The Dragonhead” is Elina’s first record with the band. The album was released on January 12th, and as you can see from the artwork on the side that it involves the Vikings and their mythology!
We start the album with the title track, and I will say I hadn’t heard of Elina’s voice before I decided to review the album, so everything is completely new to me. I actually like her voice, it’s deep and not overwhelming as some singers I’ve heard in the past. It has a soft and sweet undertone to it, which works out great with Alexander’s harsh vocals. As far as the song as a whole, I’m not really a fan of it. I feel like it was rushed, however I did like the introduction. It gave you the scene that you were about to be transported out of there. I also liked the pipes as well. It added a nice gentle Celtic tone to it. Second is “Across The Sea” and you instantly hear this playful sound, that always reminds me of voyagers on a boat, the heavy guitars give you that other added element to it, but it’s all good and keeps the listener upbeat to hear the story.
Next we have “Like A Mountain” and I really liked the soft beginning, just hearing only a piano with Elina’s voice was beautiful, but of course we can’t stay in that direction. It doesn’t change into a jam-packed harsh song. It actually stays pretty neutral in sound, so it has a good melody to follow, and shows the beauty in Elina’s voice too! Leaves’ Eyes has had a history of using all kinds of languages in their lyrics: English, Irish and of course a form of the Viking language too! So the song “Jomsborg” is no surprise to me. I looked up the title to see what kind of information it could give me and according to Google, it was a legendary Viking stronghold on the coast of the Baltic sea. You have the same vibe that you get while listening to the second track, but I always find it cooler to see bands be inspired by real things, if it’s people or structures, it doesn’t matter. I love it!
And then we continue with the same inspiration, with the song “Völva” that tells you about a pagan Norse shaman. She would be considered a seer or prophet to the Vikings and their religion. If you want a better description: think of Gambit from the Lord Of The Rings and The Hobbit books and films! I think it has a very playful sound, but it also has an exotic vibe going on too! It’s a very pretty song! This next one though, as soon as I heard it, I didn’t know what to exactly think of it. I mean, it’s not bad, kind of unique because it sounds like a jam session happened and they recorded it as it was. The song is called “Rides Of The Wind” and I do like the addition of the choir during the choruses but this one has me all confused! No wonder people who don’t normally listen to symphonic metal have a huge opinion or chip on their shoulders about the changes of their beloved genre, this is a weird one,
We’re heading to the end, the last five tracks of the standard edition. We have “Fairer Than The Sun” and after the previous one, my expectation was a little low because I was surprised once, it could certainly happen again! I’m happy to say that it definitely a little quieter compared to the others. I’d consider it a ballad in a way because it has a dreamy quality to it. Nice change! The eigth song is “Shadows Of The Night” and we’re out of our dreams now, back to the nightmares! I think the song is good, but I feel like there’s nothing giving it a special element to it, which sucks because it sounded like it had potential. And now have “Rulers Of The Wind And Waves” and you definitely get the true sailing viking tone in this song. I’m also happy to say that it’s an instrumental! There’s really nothing that makes me happy more than that honestly! It’s also a nice break too.
Now we have the last two songs, starting with “Fires In The North” and it has a bit of the vibe of the track before it. I like it. The more I listened to it, the more I started to really pay attention to the lyrics. That’s one thing that is difficult to do in this genre, because of the fact that there’s many elements, between Elina’s operatic vocals and Alexander’s darker growls along with the sound of the song together can be choatic at times! Lastly, there’s “Waves Of Euphoria” and it was nice to hear a true epic symphonic metal at the ending of the album. You recognize the horn in the beginning, keeping with the viking mythology there and after the long intro, the guitars come alive and it’s actually really good. It sounds like a normal Leaves’ Eyes.
The real question is whether or not I liked the album as a whole? Honestly, I don’t think any of their newer material will be able to top Symphonies Of The Night that was released in 2013. I did like it though, it just wasn’t at that level as this album.
Have you heard “Sign Of The Dragonhead” yet? Do you have a favorite on it yet? Let me know!