Album Review: “Hearing Colour” by Svrcina

I am back with another review for you! As you all know, I love doing these blog posts but unfortunately being able to find new full releases is tricky so when I find a stack of music, even if it’s small, I will try to talk about on here!

For today, I will be reviewing an album that came out in early June, by an artist that I have discussed on here before. She is Svrcina, and her newest album “Hearing Colour” came out on the 14th, and I found out about it on the 27th! Honestly, if I do end up writing all three reviews, I’m pretty sure all of them were released sometime last month.

Check out the review of her previous album simply titled “Svrcina” that came out in 2017 now!

We have firstly, the title track “Hearing Colour” and it is a gentle introduction of what is essentially to come. It has that synth-pop sound that she is sort of known for, so I really liked it. Finally, it’s with “Dragonflies” that starts the music journey. We have that little exotic flare that I really love about her music. It’s not too much or too little, just enough to give it that edge. The song itself is very upbeat with a pop-y tone. Great way to begin the album! Next is a song called “Pages” and here again, we have a happy but unique kind of beat going on. I was imagining myself relaxing at a Japanese spa, surrounded by a small stream and some waterlilies here and there. I can really see it while listening to this song, but I like the actual song too. !

When I first wrote out the list, I thought to myself, please be a ballad. From the moment it started playing, I instantly got excited because even though it wasn’t what I initially wanted I still enjoyed it anyways. “Insecure” has that light but mysterious sound that I love in her music, but it’s not too much. I think some people would consider this a House track just by the vibe of it. It’s pretty groove-y so I really liked that. It was better than I expected it, which was awesome! Next, we have “All I Wanna Do” and here we have what i like to think of a regular pop song, because there wasn’t really anything too interesting about it, but it was good anyways!

The album is coming to an end; “Back 2 Good” has a nice little upbeat tone. I really like the bubble popping type of sound in the verses, the reason why I say “bubble popping” is because it was literally the first thing that came to me when I focused my attention on it. I really enjoyed the song, despite not liking it the first time I listened to it a few months ago. It’ll put you in a good mood, I was humming and dancing towards the end of it so that’s always a good sign! And finally, we have “Come Together” and I thought it was a nice balance between her slower songs and a pop-y track. Out of all the songs on the album, I still love this one the most!

I think because she came out as a cinematic artist, working with Tommee Profitt for his cinematic volumes for the past three years, I’ve gotten so use d to that voice of hers in that thundering light that when she went in an another direction, I wasn’t necessarily ready for it. I’m not saying any of this release was bad, for a pop album, it was pretty good but not what I was expecting it to be. I also had a thought that since her first album was in a somber tone, this was bubbly and warm, perfect for the summertime! So, what I’m really trying to say is that it was a nice surprise.

Have you listened to Svrcina’s music before? If you have heard this release, what were your thoughts on it? A fan or not?

April Playlist

Howdy!

Another month has come and gone, as we venture into May, where there’s new chances for new music and here’s hoping, blog posts too! Originally I wanted to write up a March playlist for you but it didn’t matter how many times I said it in my brain, by that time I was on vacation my energy was gone! So, I’ve already decided that I was going to double the amount of songs on here.

Here are my Top 20 songs that I really enjoyed for both March and April!

Low Key by Ally Brooke featuring Tyga
Perfect To Me by Anne-Marie
Plain Jane by A$AP Ferg featuring Nicki Minaj
God Is A Woman by Ariana Grande
You Should See Me In A Crown by Billie Eilish
Dumb Blonde by Avril Lavigne featuring Nicki Minaj
Gorgeous by Taylor Swift
Miss Me More by Kelsea Ballerini
Crown by Camila Cabello
Miracle by CHVCHES
All Around Me by Flyleaf
Done by The Band Perry
Vertigo by Khalid
Freedom by Sugababies
Redlight by NGHTMRE featuring A$AP Ferg
Peace by Alison Wonderland
She Sets The City On Fire by Gavin DeGraw
In Your Eyes by Axero featuring Katie McConnell
Give You Up by Dido
Trip by Ella Mai

I feel like I’ve listened to a lot of other songs that I searched and searched on YouTube for the past two months but unfortunately, it only replays the ones that I constantly listen to, which isn’t really a bad thing but it can be annoying sometimes!

There were a couple of days where all I wanted to hear was Flyleaf and country music. Now Flyleaf sounds like something I would do, but country music? Honestly, I have a love/hate relationship with the genre itself. I do think it can get very boring at times, because the themes and beats are always the same, but I tend to go for the sassy songs about break ups, cheating boyfriends, etc. Those songs always boost my mood when I’m having an odd day, so I like to listen to Carrie Underwood, Taylor Swift, The Band Perry, Miranda Lambert a lot.

Despite the limited amount of blog posts this month, I still managed to write up some album reviews for you! I have really missed doing these types of posts the most, so I will try to come up with more posts like them for the next couple of weeks. Here are the ones that put up in April!

Gloria Regali by Tommee Profitt x Fleurie | Breathing In Colours by Forever Still

What were you listening to this month? Is there an artist or album you think I should check out?

Album Review: “Gloria Regali” by Tommee Profitt x Fleurie

At this time, we usually get another collection of epic songs by Tommee Profitt, and I guess you would say that this would fit but the album has a very specific theme and features only one artist. So, it’s something completely different, but yet it isn’t. I think with the release of the previous volumes in the last two years, I think they were the “calm before storm” if you will; allowing our ears to hear something new to get us in the groove of a project like this to take over.

This project “Gloria Regali” was inspired by the new and unfortunately final season of Game Of Thrones. Last year, I started watching the series and instantly enjoyed it too, but since DISH does not carry HBO anymore, I am not able to watch the season along with everybody. Honestly, I should have expected this. I wasn’t really surprised when they made the announcement that it would be their last season but for some odd reason this wasn’t on my radar! Anyways, I was really excited to see Tommee Profitt using the show and maybe even the books for something like this anyways. I think Fleurie’s voice is incredible so the fact that she’s the only main vocalist on the album is really exciting to me!

Check out my review of Tommee Profitt’s album Cinematic Songs, Volume 3  here.

Let’s start off with the first track of the album, which is the title track “Gloria Regali”. I like the fact that they start it off kind of quiet. The beat itself is intense from the moment it begins but Fleurie’s voice has this soft quality to it and as the song progresses the song just explodes with those loud drums and choir. It is a great beginning into this journey and if you have watched Game Of Thrones, it also gives you this nice image of the great war brewing and who might sit in the iron throne. The second song is “Onward & Upward” and I thought the sound was more grittier, kind of gave me the vibe of being Cersei’s theme song maybe? The reason why I say that is because Cersei is such a sly, malevolent character and between this hard-hitting beat and Fleurie’s dark emotions coming out in this. It just reassured me that this was her song, but of course I could be wrong too!

Next is “Noble Blood” and at first, I thought I would regret my original statement above, but then the more I thought about it. This could be for Queen Daenarys, Mother Of Dragons. Can you guess which team I root for? I feel like this one had a more sensual sound to it, which really led to my decision to think this could fit her in the end. I think Daenarys is a very strong character, she’s had to sacrifice a lot to get to where she is right now in the story, everytime she gives away a part of herself as far as love goes, it always seems to be taken away or used against her in some way. So she’s had to learn quick and fight within her own terms. After that, we finally have our instrumental and that is “Desolation” and the first person that popped into my head was Arya. She’s like Daenarys in a way that she’s had to grow up quick, but she’s just powerful and honestly I won’t want to cross either one of them. Your death will not be peaceful and I think that’s what this sound brings out, is this fire (no pun intended) and fierce pace fit for two strong women.

The fifth song is “Winter’s Song” of course. This brought me back to Jon Snow’s time at and beyond The Wall. I also think it’s beautiful funeral track to all of the characters we’ve lost throughout the series too. It’s just gorgeous! It is in your face, but it is very gentle. Next we have “Undone” and it also has another slow start, but I have learned to love these types of songs because they are usually the best, and I was right; the sound just continues to grow and grow and you just wonder how it will all end. The drop itself was mighty and even it had a bit of a hip hop sound towards the ending, but I thoroughly enjoyed it!

Our seventh track is “Premonition” and this instantly gave me Brann vibes. It’s the one song that I didn’t have to guess who it was for, because of the title! I do appreciate the fact that it is another instrumental. I like the change of sound with this one. It has a ton of different elements incorporated within it and I thought it had some depth to it compared to the others. We move onto “Midnight Oil” and it has this mysterious introduction that I really enjoyed, but I actually ended up loving the whole song. I instantly got this powerful feeling come around me the longer it went on! I really loved the fierce but gentle sound of the beginning but the end was monstrous and I couldn’t get enough of it really! Four minutes and five seconds was apparently NOT long enough for me!

I thought “Remembrance” was our only “real” ballad off the album. The usage of the piano was beautiful! I feel like it would fit every “Saying Goodbye To ‘Game Of Thrones'” videos on YouTube we will see just before the last episode premieres because it just has that kind of quality to it. However, I quickly realized that the melody itself is the same of another one of Tommee’s songs. “Tomorrow We Fight” and another thing they share is Fleurie herself too! I knew once I found the other one, my original thoughts would disappear, because I generally dislike hearing same lyrics and/or melody shared with multiple songs. It’s still good but I would have liked to hear something that wouldn’t have me so easily distracted in this way. The final song is “Sound Of War” and personally I hoped for a banger, between the title and being the last of anything GoT in general, you’re kind of expected it to end with a big bang. I did like the quirky sounds in the introduction and the intense banging was a kicker. I really enjoy hearing epic songs about wars. I know it’s weird as crap but there’s something with the raw emotions of the singer and the rush of everything going on in the sound behind them is so exciting! They make you feel invincible and powerful at the same time and I’m thankful that this gave me all of those feelings at the end. It was perfect!

I thought this was a fantastic lineup of music for not only GoT fans will enjoy but anybody that loves cinematic music in general. I also think that quite a few of them might end up on some people’s workout or motivational playlist. I don’t really have any bad notes to add-on because I included what I really wanted to say in each section.

Now it’s your turn, what did you think of Tommee Profitt and Fleurie’s little creation? Do you have any favorites on the album?

Album Review: “Cinematic Songs Vol. 5” by Tommee Profitt

45278525_2277694908938411_4769028606263296000_nWe’re back with another batch of cinematic songs by record producer Tommee Profitt! I was so excited to hear that we would be getting another album, especially the fact that it would come out the day after my birthday! Unfortunately, I had to wait over two weeks to finally listen to it because I’ve had some issues lately, but it’s only added the fuel to the fire that I need to listen and review this for all of us!

If you’ve never listened to a Tommee Profitt cinematic volume before, he usually has close to 12-13 songs in some type of epic sound. So, you might have these powerful, in your face tracks that everybody seems to go for immediately, but he’s also started to come out of his shell and experiment with other genres and tempos too. The majority of them with independent, based in Nashville artists of various genres. For this one, we have six “veterans” coming back for this collection along with a few newcomers too. Tommee also likes to include a couple of instrumentals to the layout as well and I think it always give the album an edge to the whole thing.

The first track we have is “Heroes Rise” and it has Sam Tinnesz on it. I really love Sam’s soulful voice against these hefty beats. For this, I really like the slow build to the whole song. Despite having a strong ending, it’s actually pretty gentle and will inspire your inner fighter to come alive. Now for the next song, “You Made Me Do It” can be about anything you want it to be, actually all songs can be about whatever you want, you just have to change your perspective! I am really in love with this one though. It has a sassy sound all around, and I think Ruby Amanfu has a terrific voice to give it that extra edge that it needed to take it over the top! It’s definitely a favorite of mine for sure!

We all know and love Fleurie’s voice, and I’m so glad that she continues to work with Tommee because he always seems to make her sound even more beautiful than the last one. “Can You Feel The Heat Now” was the first song I actually listened to, I was on YouTube listening to my mix and it automatically came on, and since I didn’t recognize it at first, I kind of figured it was probably new. I like the calming piano introduction along with her sweet voice and then all of a sudden, this electric guitar sound would appear and gave it a nice rock-ish vibe. From the moment it starts, you get this feeling that it may not be as good as you originally thought, but what I really liked about it was not knowing what could come next. Would it stay in this tempo? And then towards the end, it does grow but not as grand as we’re used to with an average Fleurie song. Jung Youth is a Christian rapper, that has worked with Tommee before and I really love that we’re hearing a hip hop-cinematic fusion. “Who’s Gonna Stop Me’ is a great workout song to listen to gain that motivation when you need it the most!

For this next song, “Witching Hour” we hear a newcomer by the name of Brooke Griffith. It’s an extremely spooky track when it first starts, which will fit naturally with the paranormal television shows like The Chilling Adventures Of Sabrina, Riverdale, and Legacies. The cinematic elements to this song really made it come to life. I just wish it was longer! Our first instrumental is “Dark Conscience” and it really continues the ominous vibe we had going with the previous song, except the original beat is gone. I really like the usage of the horns and violins, because they each have a creepy factor to them. I just feel like a monster is going to be unleashed at the end of it. The seventh track, is “Follow Me” featuring my favorite Ruelle. This has a lively, but cosmic feeling everytime I listen to it. I get a real futuristic sense, and weirdly enough I actually liked it.

Sam Tinnesz comes back with “Far From Home” and it also mentions that it’s the trailer version, so there must be an original somewhere. Even though I’ve never heard of the other one. It’s kind of has a mellow sound to it, but towards the end of the climax, it gets faster and almost louder. I think it’s pretty good! Afterwards we move on to, “Rise Above This” and the singer on this one is Trella. Unfortunately, I was really torn about this because initially I didn’t like her “ahhs” up and down the scales, but the rest isn’t that bad. So, I’m still questioning that one a bit. “I’m A Ruler” is up next and Ruby Amanfu comes back for a second round. She brings that sassy voice again, and what I loved about it is the pop-bluesy sound you get with this. It’s not a song that could really work with a action based film, unless there’s a female-comedy vibe going on.

“Unbreakable” starts the end of the album, with Mike Mains on the vocals. I really adore Mike’s voice as well so I was happy to see him on the tracklist again. The song itself has an awakening kind of vibe going on, and I really like the lyrics with this and I definitely approve of the mellow beat it has with it. It was in your face, but not overwhelming! We have our final instrumental, “Infidels At Bay” and for once we have a makings of a ballad, but it doesn’t really stay like that. I would love to hear at one softer song or ballad with these albums to kind of give the listeners a nice little break. This was a good attempt. Our last song is “A Storm Is Comin” by Liv Ash. I like the thunder rumbles with the fast going piano playing, I thought that was a cool combination. The cinematic part does break through like a storm and it really has a fiery ending. It was just perfect!

 I was really impressed with this, but I’m pretty sure I say that about every volume so far! Oh, I don’t care. Cinematic music in any form makes me really happy and I really love hearing new artists being featured on these songs, that maybe you wouldn’t hear otherwise. If you’ve never heard anything in the cinematic/trailer music world, you should really look into Tommee Profitt’s other four albums! Just go in order, you’ll thank me later!

Have you listened to Tommee Profitt’s new volume of cinematic songs yet? What were some of your thoughts? Before checking this out, had you ever listened to any other composers in the epic music? 

snowflake

 

Album Review: “The Fire Within” by Jennifer Thomas

40139219_10155514913606689_6789604461816840192_nAs you guys know, I like a lot of different music. I think with the amount of times I’ve talked about my love of symphonic metal, cinematic and Celtic music on here, it definitely wouldn’t surprise you to hear anything else out of the ordinary.

Today, I will be talking about a pianist that I really enjoy, her name is Jennifer Thomas. She’s released four albums since 2006, but I found her music in 2014, with a track called “Requiem Of A Dream” off the album Illumination and I still play it on my iPod every once in a while if I need that nudge of strength in the middle of the afternoon.

On the 16th of October, I was on my Release Radar playlist on Spotify that keeps track of what has recently come out by my favorite artists and bands. It’s a great thing to have if you are like me and have a boarder range of music, this can help you find new music that isn’t always highlighted on New Music Friday that everybody usually uses during the start of the weekend. Anyways, this was where I found out that Jennifer had a new song out, but once I clicked on there, I quickly realized that it was more than just a single release and that I had missed the whole launch date completely since the album came out the week before. Yeah, that’s my luck for you!

This is called, The Fire Within and it’s kind of short, as there’s only ten tracks on it. There are two songs that feature another pianist and a vocalist, which is usually outside of the norm for her music, but I’m open to it especially since the singer has a lovely voice, but we’ll get to that in a bit. There are things I need to say before we go on with this. Since the music is relativity instrumental, I will be going about this in a totally different way then I normally do. I will be focusing on how I’m feeling and what kind of pictures the song itself will create, sort of like a dream, in other words there will be a lot of metaphors down below!

We start with the title track, “The Fire Within” and we have our first special guest, The Rogue Pianist, who really goes by Kimberly Starkey, helps Jennifer out with it. I like the fact that it’s well-balanced between the heaviness and almost epic-ly tone of the orchestra, but still have a touch of mellow sounds of the pianos throughout that the ladies bring is very beautiful. It’s a very intense, but yet romantic type of song. Second is “Awakening” and the beginning is so pretty, but I have to say, the piano isn’t as dominant in this as I thought it would, but I still like it. The upbeat drumming with that violin coming out of the darkness, pretty much takes things up a notch. I was immediately taken to a beach with only a black piano and brightly red violin playing as the sun was going down when the song continued on; that wouldn’t be a half bad idea for a music video, just saying!

“Girl In The Mirror” is next and I remember writing this out and hoping this had some kind of creepy vibe going through it, as it was getting closer to Halloween at the time. I mean, you can’t exactly blame me here! I wasn’t too disappointed with the ending result, as it still had an eerie tone to it, but honestly you get this sad, empathy feeling within you when you really start to listen to the piano coming to focus. I really liked the fact that you could clearly hear a flute at the end, it added to that gentleness of the song. Afterwards, we have another track that I was very curious about, “Rise Of The Phoenix” which could go perfect with my little story about a phoenix that will die, but for eternity. I figured this would be a powerful type of song, and it’s exactly that–in your face, but not in the way that I originally saw it to be. It was really lively, and the drums gave it another edge, you nod your head to it, because it was a constant beat that you could follow through, and sometimes with instrumental that simple act can be difficult to do. The whole thing is mischievous kind of like a phoenix would sort be, rising out of its ashes as a baby.

We move on to “Ascension” and after the last one, I’m kind of glad we’re back on the softer side of things. The sound isn’t overpowering, and the piano and violin bring out a fun element to the song. Despite having the instant calmer feeling, as I kept picturing a woman running around in a densely woods, she’s dancing on top of brooks and just enjoying the sunshine above her. This only occurred when the tempo increased and become of a symphonic beat.  The sixth track “Soaring” has the artist Eurielle on it. She specializes in the cinematic world, mainly works on fantasy driven music. She doesn’t exactly sing in this, more like “ahh-ing” her way through it, which I’m perfectly okay with that. This has a humble beginning, but the whole thing turns into this magical tune that made me instantly think of fairies flying around in a lush green forest.

These will be the last four songs of the album. We have “Because Of You” now and I’m always fascinated when pianists or any composer have a modern title, like this, because even though they are no lyrics involved, how do the titles come about for that person? Forgive me for going off subject a bit, but is anybody else like that too? Anyways, this is a gentle song. It’s not obnoxious or too quiet, to me it’s right in the middle and can be perfect for any time of the day. Next, there’s “Believer” and at first, when I wrote out the title on my notepad I was like, “oh, Imagine Dragons! I haven’t heard that in awhile.” So imagine my face when I realized that I didn’t have to go look it up afterwards, because here it was playing right in front of me, but this time the sound itself isn’t as grand but it still has the essence of it which I really liked. If you truly know the song by heart, I dare you to belt it out while listening to this version, because there are no singer featured besides the choir in the background towards the end!

“Time” is on and I was almost curious to know if this would be a piano version of another song, but even if it was, I don’t think I would have recognized it right away! It is generally a slow start, there’s a kind of somber vibe going on with this one. I kept seeing a woman covered in gray with a bright red coffee mug pacing back and forth in a hospital hallway. It’s one of those songs that make you visualize depressing things going on; it was interesting as this rarely happens whenever I listen to certain sad songs but in a way I think I liked it. And lastly, there’s “Glorious” and I really loved the lively introduction. After having such a downer in the previous song, this is just beautiful. It’s so bright and happy with all of the instruments going together in harmony. I kept thinking of small children skipping along on top of a hill, having the best time ever. I thought it was a gracious end to the whole collection.

I really enjoyed listening to the album. I thought every song had it’s own story and even a personality built into them. I think Jennifer created an interesting batch of music. It incorporated two of my favorites: piano and a cinematic vibe. There were many different things that I liked about it. I thoroughly love piano music, and always have since I was little. I was never able to learn how to play, although many people did try their hardest to educate me on how to read sheet music in the past, I just wasn’t able to keep up with it. So, I have grown up appreciating it in a different way and I find that to be more helpful to board other people’s horizons as well. I definitely recommend checking this out and the rest of Jennifer’s music if you want to explore piano music on your own!

Have you listened to Jennifer Thomas’s new album “The Fire Within” yet? If you have, what did you like or not like the most about it? Do you have a favorite track?

snowflake

Album Review: “Sign” by RAIGN

40393523_10158372717632837_5296621834853154816_nBack in January, British singer-songwriter RAIGN released her extended play “Born Again” and I put out a review of it on here about a month later. Now I’m back to talk about her debut album that came out in mid-September. It is called “Sign” and even though I kept seeing a couple of singles pop up on the new music tab on Spotify, I did not expect this at all! Despite only really listening to one single before working on this, I didn’t know what I was getting into but I was open to new sounds and some of the familiar stuff that made me fall in love with her music in the first place.

The album itself consists of 12 songs, which is standard for any musician but also with that amount, means you can hear a wider range of her style. I am hoping for an eclectic mix as I continue down the list of tracks. So, let’s start!

We begin with an introduction, “Sign” and it’s an instrumental start to the album. It has a dreamy quality to it as it’s soft but haunting too. I really like hearing the orchestra build up and sound like the second song “Out Of Time”. This song has a completely different tone, as it has a pop-rock sound which wasn’t something that I expected but I actually liked it! It’s something we haven’t heard from her yet and I thought it was perfect to break that barrier so early in the album. Next we have “Who Are You” and it has that familiar mysterious vibe playing throughout it. It’s very powerful but in a way gentle too!

We move on to “God Only Knows” and what I really like about this one was the fact that it started off in this soft way, with only her echo-y but deep voice and a light epic drumming in the background. It was so beautiful to only have those elements, before adding the orchestra back in too. The fourth track “Into Heaven Alone” has a melancholy sound but it does have a rock-y vibe on top of that cinematic beat, it’s not an overwhelming. I liked the uniqueness it gave the song! I feel the next song “Inside Of Me” has this motivational statement to make, as it gave you the strength to get through whatever is bothering you at that moment. The beat itself was strong in terms of matching the emotions and lyrics to the song, but it was also really light too. It was a nice balance.

When we first started the album, we had a nice epic intro with “Sign” but for the sixth track, it is the vocal version of the actual song. It still has this gentleness about it, but now that we are hearing the words along with the ominous ballad of violins, bells and of course Raign’s deep voice. It will take you away into a magical place whenever you listen to it, at least that’s what it did for me. I felt like I was walking in a snow-y, forest wonderland, I love it when music can do that in a matter of three minutes! Next, there’s “Calling” and this has another interesting quality. At first, I thought it was going to continue what we heard in the last song. I’m hearing more pop-y notes in the beat, it still has that cinematic sound in it, but it is very mild so you can hear them both at the same time. It is a cool song.

We are on the last four songs. “Hold On To The Sky” is kind of tame, almost dreamy in a way. One way to explain it, is if you were in a deep amount of water. Your body is weightless so dancing inside is a breeze. If this was a song, this would be it. I’m sorry for the weird metaphor, but that’s what I instantly thought of when it started playing! Next there’s “Find My Own Way” and this has a sexy beat behind it. It keeps you on your toes because it’s a somewhat simple song, but there’s that underling feeling you could be surprised soon. It was a pleasing track and probably one of my favorites out of the whole thing.

I was really curious about the eleventh song and final track because the titles seem so easy to figure out, I just hoped I wouldn’t get disappointed in the end. However, “Sunrise” starts with this very loud bass boom and then her voice gets echo-y and the beat itself builds into the monstrous beast. As it continues, Raign basically stays the same as far as tempo goes, but I’m glad she’s like that because the dynamic between these two makes it that much better. It has an edge, a jaggered edge that makes it powerful! Finally, we end with “Evergreen” and after the previous one, I was a little worried but thankfully it was at the same vibe, but I think I fell in love with the lyrics a lot faster than I did with “Sunrise”, plus it has a happier beat. It had a motivated outlook on it, but everything about it was inviting to me, and it made me like I could do anything so I was thinking of good things rather than the negative and that’s what I like the most about it.

One of my favorite things to do now whenever I watch a movie or television show, is that I keep an eye out for the music being played on a certain scene. When The Vampire Diaries started playing Raign’s music throughout the last four or five seasons, I did not expect to still crave her music but I do! I think she has a gorgeous voice and the beats she uses to showcase it, make me extremely happy! Raign was at the forefront of my taste for cinematic music, and I deeply encourage you to check out some of her songs! This album gave me feeling after feeling, and although I tend to listen to her music whenever I’m sad, I was happy listening to all the way through and for that to happen rarely works anymore.

Have you heard of RAIGN’s new album “SIGN” yet? If I wasn’t the one to introduce you to her music, how did you find her? What is your favorite song(s)?

snowflake

Album Review: “Cinematic Songs, Volume 4” by Tommee Profitt

36599607_2047039208670650_6047828206382219264_nI am back with the fourth installment of Tommee Profitt’s cinematic collection. This album came out on the 4th of July, which I thought was pretty cool! If you’ve been reading my previous reviews of Tommee’s music, you know how freaking obsessed I’ve become, like if I hear a small snippet of any of Tommee’s produced songs on a TV show, I have to rewind that sucker just to hear it again! I automatically get so excited, because I love the fact that this kind of music is being played in almost ways! This batch of songs are no different.

For this album, I did cheat a little and gave myself a listen to like the first five tracks before I literally had to hold myself back from hearing the rest. As far as featured artists on this, you have some of the “originals” who have worked with him in the previous albums, like Sam Tinnesz, Fluerie and Steven Malcolm, but yet we also have some new voices as well! And of course, Tomme has included two instrumentals in different sections too.

Well, let’s get this started, shall we?

Click here to read Cinematic Songs, Volume 1 by Tommee Proffitt

We start off with “It’s Got My Name On It” that features Sarah Reeves, who sounds weirdly like both Ruelle and Fleurie with her soft, high-pitched voice. One of the things I like to do whenever I have a new artist like this, I tend to look up information about them on their Facebook music pages, and according to Sarah’s, she may only work on worship music, but this track is definitely not in that theme, which is fine anyways. I think it’s simple, lyric wise, but huge on sound. It also has a mysterious tone to it, thanks to the piano you hear throughout, but it slowly grows once you hit the middle of the song and it just explodes with such force. Second is “Welcome To The Jungle” and Tommeee had shared a trailer of a new show coming to CBS, called A Story To Tell and he mentioned that he “enjoyed creating creepy music” with artist Fleurie. This is so freaking creepy! However, I absolutely love it at the same time. In other words, it’s right up my alley!

We move on to “I Am Legend” with Colton Dixon, and if I remember correctly, he was a contestant on American Idol a few years back, wasn’t he? Whoever he is, he has a nice mellow voice. It works well with the cinematic sound, it’s a very epically (is that even a word?!) song but he has such a pop-rock kind of voice, somehow he made it work. I really enjoyed this! After that, we have “One Eye Open” and Daniella Mason, who has a beautiful voice herself. She tends to do alternative music, and I instantly liked that. I’m very interested in alternative musicians all of a sudden. Anyways, this song doesn’t sound like the rest on the album, and I love the uniqueness about it. It’s almost grime-y, very intense getting towards the end, but her voice is such a sweet kiss to this massive climax.

Click here to read Cinematic Songs. Volume 2 by Tommee Profitt

Fifth track is “Warriors” with my favorite Steven Malcolm, this actually came out as a single, when the NBA finals were about to start. Obviously, Tommee and/or Steven were rooting for the Golden State Warriors!  If the song wasn’t influenced by basketball at all, the song is really good anyways! I really love that hard, urban feel to the song! It also kind of has this creepy, I guess SAW movie like type of sound that makes it even better. Next there’s “Incendiary” and this is one of the instrumentals I was telling you about in the beginning, and after the previous song ended, I felt as thought this was good as like a part two. It was still very powerful, really loving the drums. They were fast and exciting! Once it’s done, “Wicked” is next and it features Royal & the Serpent, again I’ve never heard of them so I had to look them up, and they are an indie band. This song is extremely cool as it dabbles in the electronica world. I thought that was really cool, as I was not expecting that at all, but I love musical surprises.

“Feel That Fire” is next and it has Whissell on it, and I love her voice! She reminds me of ZZ Ward, that is if she had a deeper voice. I like the fact that the bluesy sound of her voice is very present in the song, even with the strings commanding as much space too. It just gave me a totally different vibe then the others on the album. Next we have another favorite vocalist of mine, Beacon Light and the song “Takin Over” and this has a sci-fi type of vibe to it when it first starts, but then when he speaks, that hip hop sound creeps in the back and it’s so interesting. I really love ominous sounding music, weirdly enough I have always been this way!

The last four songs, start with “Vagabond” with FJØRA and this is such a pretty tune. It’s so gentle and gives you this adventurous, wanderlust feeling while you’re listening to it. I think FJØRA’s voice was good, it gave the song a softer approach and the fact that Tommee didn’t give it an incredible finish like he’s known to do, because I think it would have been too much with her voice, between the lyrics, her voice and this mellow sound makes it different. Our last instrumental is next, and it’s called “Trail Of Evidence” and it’s absolutely stunning! I really loved the solo cello introduction, at least I’m hoping that’s what I’m hearing! I’m not very good at pointing out certain instruments, I’m sorry! When I first looked at the title, instantly I thought this would be this heavy hitter but it wasn’t. It was fairly soft, but powerful too.

Finally, we move on to “Can’t Hold Us Down” that has Sam Tinnesz in it. This was one of the first new songs I saw on YouTube that made me realize we might be getting a new set of songs soon, within a week later, Tommee announced it on his Facebook page! This song has that fusion of both cinematic and rock genres. I liked the fact that since Sam is a rocker anyways, that he’s influencing his known genre into the actual song. So, the entire thing takes a different turn, it could’ve been an explosion of a song. It was a good song, don’t get me wrong, but the it wasn’t in your face like I figured and ultimately wanted it to be in the end. The last song is “Hurricane” with Fleurie and we end this cycle in a very emotional based track. It instantly gave me this sad vibe. It does gradually grow into this colorful flower, but it never really loses that feeling of being lost.

Click here to read Cinematic Songs, Volume 3 by Tommee Profitt

This was a great mix of different directions. I like the fact that Tommee is getting more experimental with his beats, and the fact he’s using other artists with different ranges and bring their own flavor with them. I think that’s one of my favorite things about this genre; it doesn’t matter what kind of music you generally wok with to help express yourself, if you’re up for the challenge, something good could come out of it. This is how other people, who have never heard of these artists before, can discover new music within that song.

Have you listened to Tommee Profitt’s new volume of cinematic songs yet? If so, which is your favorite?

snowflake