Album Review: “Cinematic Songs, Volume 4” by Tommee Profitt

36599607_2047039208670650_6047828206382219264_nI am back with the fourth installment of Tommee Profitt’s cinematic collection. This album came out on the 4th of July, which I thought was pretty cool! If you’ve been reading my previous reviews of Tommee’s music, you know how freaking obsessed I’ve become, like if I hear a small snippet of any of Tommee’s produced songs on a TV show, I have to rewind that sucker just to hear it again! I automatically get so excited, because I love the fact that this kind of music is being played in almost ways! This batch of songs are no different.

For this album, I did cheat a little and gave myself a listen to like the first five tracks before I literally had to hold myself back from hearing the rest. As far as featured artists on this, you have some of the “originals” who have worked with him in the previous albums, like Sam Tinnesz, Fluerie and Steven Malcolm, but yet we also have some new voices as well! And of course, Tomme has included two instrumentals in different sections too.

Well, let’s get this started, shall we?

Click here to read Cinematic Songs, Volume 1 by Tommee Proffitt

We start off with “It’s Got My Name On It” that features Sarah Reeves, who sounds weirdly like both Ruelle and Fleurie with her soft, high-pitched voice. One of the things I like to do whenever I have a new artist like this, I tend to look up information about them on their Facebook music pages, and according to Sarah’s, she may only work on worship music, but this track is definitely not in that theme, which is fine anyways. I think it’s simple, lyric wise, but huge on sound. It also has a mysterious tone to it, thanks to the piano you hear throughout, but it slowly grows once you hit the middle of the song and it just explodes with such force. Second is “Welcome To The Jungle” and Tommeee had shared a trailer of a new show coming to CBS, called A Story To Tell and he mentioned that he “enjoyed creating creepy music” with artist Fleurie. This is so freaking creepy! However, I absolutely love it at the same time. In other words, it’s right up my alley!

We move on to “I Am Legend” with Colton Dixon, and if I remember correctly, he was a contestant on American Idol a few years back, wasn’t he? Whoever he is, he has a nice mellow voice. It works well with the cinematic sound, it’s a very epically (is that even a word?!) song but he has such a pop-rock kind of voice, somehow he made it work. I really enjoyed this! After that, we have “One Eye Open” and Daniella Mason, who has a beautiful voice herself. She tends to do alternative music, and I instantly liked that. I’m very interested in alternative musicians all of a sudden. Anyways, this song doesn’t sound like the rest on the album, and I love the uniqueness about it. It’s almost grime-y, very intense getting towards the end, but her voice is such a sweet kiss to this massive climax.

Click here to read Cinematic Songs. Volume 2 by Tommee Profitt

Fifth track is “Warriors” with my favorite Steven Malcolm, this actually came out as a single, when the NBA finals were about to start. Obviously, Tommee and/or Steven were rooting for the Golden State Warriors!  If the song wasn’t influenced by basketball at all, the song is really good anyways! I really love that hard, urban feel to the song! It also kind of has this creepy, I guess SAW movie like type of sound that makes it even better. Next there’s “Incendiary” and this is one of the instrumentals I was telling you about in the beginning, and after the previous song ended, I felt as thought this was good as like a part two. It was still very powerful, really loving the drums. They were fast and exciting! Once it’s done, “Wicked” is next and it features Royal & the Serpent, again I’ve never heard of them so I had to look them up, and they are an indie band. This song is extremely cool as it dabbles in the electronica world. I thought that was really cool, as I was not expecting that at all, but I love musical surprises.

“Feel That Fire” is next and it has Whissell on it, and I love her voice! She reminds me of ZZ Ward, that is if she had a deeper voice. I like the fact that the bluesy sound of her voice is very present in the song, even with the strings commanding as much space too. It just gave me a totally different vibe then the others on the album. Next we have another favorite vocalist of mine, Beacon Light and the song “Takin Over” and this has a sci-fi type of vibe to it when it first starts, but then when he speaks, that hip hop sound creeps in the back and it’s so interesting. I really love ominous sounding music, weirdly enough I have always been this way!

The last four songs, start with “Vagabond” with FJØRA and this is such a pretty tune. It’s so gentle and gives you this adventurous, wanderlust feeling while you’re listening to it. I think FJØRA’s voice was good, it gave the song a softer approach and the fact that Tommee didn’t give it an incredible finish like he’s known to do, because I think it would have been too much with her voice, between the lyrics, her voice and this mellow sound makes it different. Our last instrumental is next, and it’s called “Trail Of Evidence” and it’s absolutely stunning! I really loved the solo cello introduction, at least I’m hoping that’s what I’m hearing! I’m not very good at pointing out certain instruments, I’m sorry! When I first looked at the title, instantly I thought this would be this heavy hitter but it wasn’t. It was fairly soft, but powerful too.

Finally, we move on to “Can’t Hold Us Down” that has Sam Tinnesz in it. This was one of the first new songs I saw on YouTube that made me realize we might be getting a new set of songs soon, within a week later, Tommee announced it on his Facebook page! This song has that fusion of both cinematic and rock genres. I liked the fact that since Sam is a rocker anyways, that he’s influencing his known genre into the actual song. So, the entire thing takes a different turn, it could’ve been an explosion of a song. It was a good song, don’t get me wrong, but the it wasn’t in your face like I figured and ultimately wanted it to be in the end. The last song is “Hurricane” with Fleurie and we end this cycle in a very emotional based track. It instantly gave me this sad vibe. It does gradually grow into this colorful flower, but it never really loses that feeling of being lost.

Click here to read Cinematic Songs, Volume 3 by Tommee Profitt

This was a great mix of different directions. I like the fact that Tommee is getting more experimental with his beats, and the fact he’s using other artists with different ranges and bring their own flavor with them. I think that’s one of my favorite things about this genre; it doesn’t matter what kind of music you generally wok with to help express yourself, if you’re up for the challenge, something good could come out of it. This is how other people, who have never heard of these artists before, can discover new music within that song.

Have you listened to Tommee Profitt’s new volume of cinematic songs yet? If so, which is your favorite?

snowflake

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Album Review: “New Blood” by Yellow Claw

31562274_1931747523565661_4003284775459618816_nWell, back in March, I reviewed Yellow Claw’s new little EP for “Amsterdam Trap House” and I thought that was pretty good, but I wasn’t expecting a whole new album afterwards but I accepted it with open arms though!

Their third album “New Blood” came out on the 22nd of June, and it consists of fifteen songs with various featured singers and other DJs lending samples of beats to collaborate. Now I will admit, there are a lot of people on this, and some that I’ve never heard of before so you’ll have to forgive me there for not having all of my normal pieces of information about them.

So let’s get started on this, because I’m ready to dance on my bed!

We begin this little adventure with “Lost On You” with Phlake. I thought was so pretty! It starts off so slow and what’s interesting is that it never really breaks out of that chill sound, but the tempo does improve a bit towards the choruses. It’s a very romantic song, and for once I actually like it. What’s wrong with me? Second is “Summertime” and San Holo collaborates with the guys for this. I like the mysterious introduction, but I’m always so iffy with a person speaking into a static-y format. I have a hard time figuring out what they’re saying, but I love the beat. That ominous feeling never really goes away, which I enjoyed and I liked the mild build up to the drop, very subtle but keeps it kind of unique for a summertime song really!

Next we have “Both Of Us” with STORi and again, we have this light beginning but since the featured singer has a very mellow voice too, it actually works well. I really like this, because for anyone that likes to listen to EDM on the radio, this is very radio-friendly with kids, the drop isn’t that intense, but the song in general isn’t so heavy that you’re used to hearing in dance music, it’s really good! Fourth is “Villain” with Valentina and I think I’ve heard this before, maybe I’ve played it before the album came out and I’ve forgotten about it, that sounds like something I’d do really! Anywho, it has a mild beat, and I’ve always had an uneasy time with both chill and house music, because at times they can just be so boring, but I don’t want to say this is that by any means, but I just don’t like it as much.

“Crash This Party” with Tabitha Nauser is next and after having a somewhat dull song beforehand, this pretty much makes up for it! It’s so upbeat and dare I say, positive? I really like the drop, and they insert their “Yellow Motherfucking Claw” towards the end of the track, which instantly made me smile, because it’s not a YC song without at least one of their songs having that somewhere in the track! My only complaint is that it’s too short! The other one, as soon as it started it made me jump! I wasn’t expecting that pop in the beginning to “Public Enemy” at all. I actually laughed at myself! Anyways, this has DJ Snake, and you all should know that I love DJ Snake a lot! This doesn’t feature anybody but him, so it’s instrumental and you definitely know I love those the most! This is just the greatest, I can’t describe it any better than that. I have to find the live version of this, because I can imagine crowds going absolutely crazy for this!

We move on to, “Fake Chanel” with A$AP Ferg and Creek Boyz. I actually remember listening to this when it came out as a single and I loved it instantly! It’s so interesting how I will listen to rappers that appear on EDM music a lot better than rap music in general. I don’t know how that works either! I really love the beat to this, it’s so sharp and different. The drop is insane! After that banger, we go into “Attention” with Chase and Kalibwoy, which as soon as it started, I thought, “oh yay, this will be softer”. Well, I was half right with that expectation! It is mysterious but I was really intrigued with the second voice, he completely changed the vibe that I originally had going, so that was cool! This, as a whole, is a very different track and I love it!

We have “Bittersweet” featuring Sofia Reyes, who has this sweet little voice and I like the fact that the beat itself doesn’t overpower her. It’s a good song! “To The Max” is next and this has a number of people on it, but the only one that I know is Bok Nero. The others are MC Kekel, Lil Debbie, and MC Gustta. This is good, with a nice simple beat and you have like mixture of voices, but it’s not the best. I also think this was the longest one on the album too. I don’t know I really feel about that so we’re going to move onto “Down On Love” with Moski and Yade Lauren, which I know Yade was featured on another of YC’s songs, “Love & War”. This is pretty mellow, but I like it, at least this has an interesting beat and the singer has gorgeous voice.

We’re almost done. I know, even I’m a little sad about that! There’s “I’ll Be Fine” with Kelsey Gill and she sounds like Zara Larsson! I’m not saying that’s a bad thing, but it was the first that I thought of when the song started playing. This is pretty good, nothing about it is too much, it could get good radio play on pop oriented stations, so that’s a plus! And we have “Waiting” that has Rochelle in it, and she’s also been a guest on their songs before. I really like the dreamy vibe I got while listening to it. It does have the standard build up and the bass drop is really good, but I liked the original beat better. Surprisingly, I don’t think it needed all of that other stuff, even if they had turned it down. I know I’m starting to scare myself now! Lastly, we have “Another Life” with STORi again. I really like the usage of the piano, it gave it a sense of elegance. The beat is really simple, and we finish in the same way we started, so it’s kind of perfect.

I was kind of impressed with this. I figured since they released an album in the summer, it would sound pretty summer-y in the process, but I never got that vibe as I continued to listen to the songs. You have a good mesh of the heavy bangers that every EDM loves, but if you are in the mood for something softer, then you definitely a few to choose from, so it’s a good batch of music.

Have you listened to Yellow Claw’s new album, “New Blood” yet? What did you think? Do you have any favorite(s)?

snowflake

Album Review: “Liberation” by Christina Aguilera

33830132_10204311988437936_4957651496750546944_nToday, we’re going to be talking about Christina Aguilera’s new album “Liberation” and I have been looking forward to this since before she had her daughter Summer back in 2014. Her last album “Lotus” came out in 2012 so it’s been a good six years since she’s put out a good batch of songs so I was more than ready to see this pop up on my Spotify on June 15th!

Let’s get into this, shall we?

One of the things I’ve really enjoyed about listening Christina’s music, especially her albums is how she tells a story within each song, including little introductions that go with the next track. So when the album begins, you have the title track “Liberation” and all it is, is a very elegant, orchestral and you hear a happy little child in the background with it. It’s very mysterious but gentle too. Next is “Searching For Maria” and this is a great example to the real beginning to the song that starts afterwards. Again, it’s only a snippet of Christina’s voice in the softest quality. Finally, the albums starts with “Maria” and it has a sweet, string introduction but then turns into this sharp hip hop beat, which is really good. I like it!

Fourth is “Sick Of Sittin'” and I really liked it, but at first I was little weirded out on how it sounded, because it reminded me something that we’d hear from Joss Stone, not Xtina! However, I thought this was a different song and I actually like it. Next is “Dreamers” which is another introduction to “Fall In Line” but firstly we have to discuss how cute but powerful hearing those girls, in various ages, say what they wanted to be when they grew up and I thought was such a touching reminder to put in front of a popular song that “Fall In Line” has turned into, because you have both Christina Aguilera and Demi Lovato! They’re telling other little girls to not fall in line with what other people expect them to be. Personally, I don’t like the song, it starts off good, but towards the end, having both of their voices at full blast is kind of annoying.

As we discussed the musical direction of “Sick Of Sittin” when have “Right Moves” and it also has a different route than we’re used to hearing from her. This definitely has a smooth, slow Caribbean beat. You can dance to it, more like sway but still it’s good. This features both Keida and Shenseea too. Next there’s “Like I Do” and this has GoldLink in it. When I first listened to this song when it came out, I didn’t really like it and now as I am hearing it again, I still don’t know what I think of it. A part of me thought the beat is so chill that it doesn’t really mesh with GoldLink. I feel like he wasn’t needed for it, but I do think Christina’s vocals are okay, but I still don’t like the track as a whole.

The ninth track is “Deserve” and when this first started, I thought to myself, is this going to be dance beat? I was a little disappointed when I was wrong, but I do love the lyrics though so that made up for that. Afterwards, we have “Twice” which came out probably four days after the first single, and I absolutely love this one. I like the acapella beginning and the piano, it’s beautiful and raw.

Now she has also an interlude on this album, and it’s titled “I Don’t Need It Anymore” and I was fairly curious on what we would hear on this. The track is of her and her background singers, singing acapella and it’s so dreamy! I really wish it was longer, I had an issue with another of her many interludes on her Back To Basics album in 2007.

Her first single was “Accelerate” and it features both Ty Dolla $ign and 2 Chainz. I like the beat and I’m perfectly fine with the sexual messages mentioned in it, because if you call yourself a hardcore Xtina fan but yet you hate it when she talks about sex, you’re not a real fan! Sorry not sorry! I will say, I didn’t like either rapper on it. Whoever’s on the chorus with her, did a bad job! His voice cracked and it just sounds weird. “Pipe” is afterwards and it has XNDA I figured once we’d get through the interlude, we would see the sexy songs of the album, but I do like this one. I like the sultry, but chill tone of the track.

The final two songs of the album begins with “Masochist” and I’m not going to lie, but I had to look up what this word was, because I didn’t know it. So thanks to Google I now know that it means, “a person who derives sexual or other gratification from their own pain or humiliation.” After reading the definition, and begin to really listen to the lyrics, everything started on make a little sense to me. The beat itself is very light and sweet, despite the direction you take the meaning of the lyrics. And lastly, we have “Unless It’s With You” and I really liked the soft piano introduction. I really enjoy hearing a singer’s voice, especially ones like Christina Aguilera. She has such a large range, but here she is, in the smallest quantity. It’s so pretty!

I have to say I’ve actually only loved one of her albums straight through and that is “Lotus” so in a way, I knew there would be a 50/50 chance that would actually happen again. Overall, the album is good. There’s not a lot of heavy hitters, but I liked the many different musical changes she went through, but it’s not that bad, I just know how I am whenever I listen to her music, and unfortunately I don’t think that part will ever change about me.

Have you listened to Christina Aguilera’s new album “Liberation” yet? What did you think about it?

snowflake

June Playlist

moviws

Howdy!

So… June’s been very eventful!

I had to change up my weekly routine for this week a bit. If Nolan had decided to stay in and bake a little longer, I would have a review or my second half of movies that are coming out this year up right now. I still don’t know what all I’m going to do with July as a whole, so there may be a smaller amount of posts going up than the regular 15! I don’t think anybody would mind that though.

June has had a good selection of music come out, majority of it on one single day: the 15th. 5 Seconds Of Summer to Christina Aguilera, they all had an album come out at one time! Mike Shinoda’s album Post Truamtic also came out that day, you’re probably wondering if I’ll review that too, but I on’ think so. The LP that was released in March was enough for me to handle, so nope.

Not A love Song by Bulow
I Know You by Craig David
Weekend by Priory
The Hills by The Weeknd
Exhumed by Zola Jesus
The Crown by Zayde Wolf
Words As Weapons by Seether
Never Be by Meg Mac
Weightless by Natasha Bedingfield
Something Better by Audien featuring Lady Antebellum

If you’d like to check out the full playlist for June, click this link now!

This month, I decided to do something different for my Tune Tuesday series and let an artist from a band I’ve been listening to for the past two or three years, write up a couple of pieces and Anne gave me some really good and interesting material to use on here. However, she will not be back for July, but hopefully both of our schedules will clear up a little so she can come back for either August or September.

Of course, here are the last few reviews I’ve done for June as well, as promise I’m including the one from the last week of May too! So if you never got to read them and have a little bit of time on your hands, you can do that now.

Speak Your Mind by Anne-Marie | Unusual by Marian Hill | R.O.S.E. by Jessie J | Modern Alchemy by ZAYDE WOLF

What were you listening to for the month of June?

snowflake

Album Review: “Unusual” by Marian Hill

27540920_1766139436764641_5691408952034562692_nToday, I will be talking about a very fun and unique duo’s second album. American artists, Jeremy Lloyd and Samantha Gongol, who make up Marian Hill have finally put out their new record, called Unusual!

The album was released on May 11th, and consists of ten songs total. I’m actually very excited but also a little nervous because I’ve only really listened to their singles, and unfortunately I never did hear Act One (2016) all the way through, but after I saw this on Spotify’s new music, I knew I wanted to hear it and review it on here!

Marian Hill is kind of known for their electronica beats, mixed in with a very chill vibe to it, and their first song off the album called “Subtle Thing” and its everything you know of MH, however, it’s a little edgier, and I really love the seductive, whisper way of Sam’s voice. Despite the fact that it has a mellow sound to it, you can still dance to it! I really like it. Second is “Differently” and this has an urban feel to it. I didn’t necessarily like the introduction, I didn’t think it meshed well together, the booping sounds with Samantha’s low voice, she was fine though. If it didn’t have that sound, I don’t think I would have had any care about it. Once the song continues, that element starts to intertwine with the rest of it, but by itself isn’t good. Next is “All Night Long” and this features Steve Davit, all three has made it into a modern jazz-y sound. That’s actually the best way to describe their music in the first place. They have a very light approach to electric music, so it honestly sounds more like a modern take to jazz and blues. I think this is the perfect track to showcase that type of subgenre, because it has that horn solo, like regular jazz music would, but it’s a totally different sound then what you’re used to hearing.

Fourth is “Don’t Miss You” and this has a darker sound, kind of sassy in a way. It has more of a pop element to it towards the end, so I really like it! Next is “Wish You Would” and to show you their quirkiness, you can hear these obsessive snapping sound and a mixture of computer sounds throughout that make a whole beat around Samantha’s words. It’s really cool.  If their song “Down” had a part two, sound wise, this would be that song! Afterwards is “Don’t Do It” and I really like Sam’s high pitched voice in the beginning of the verses, usually I don’t like it, because I think it’s too much, but I thought it was very pretty. This has another ominous, almost hip hop-y beat behind her lyrics, I can hear a small exotic taste in it too! It’s very interesting!

“Sideways” is next and finally we have a slower track. This could be the perfect song to put in a sad scene of a television show or movie. If you need something to calm you down, this is your song to listen to on those gloomy days! This will probably become a favorite of mine. We have “No Hesitation” now and and we’re back on the eccentric train with this one, but I don’t hate it. It’s not so outlandish like the other one, so it’s very mild and has a nice chill vibe. It’s good with me. Steve Davit makes another appearance with this next track, “Listening” and we have that urban feel to it, but gives me an old school pop vibe too. And lastly we have “Go Quietly” and its a straight up ballad. Yay! I love the dreamscape-y beat, it’s absolutely beautiful!

I thought this album was really great! I’m always to listen to different kinds of music, because I don’t want to hear the same stuff over and over again, and I think with Marian Hill, since they’re so out there, as they don’t necessarily fit the general pop and electric dance music standards, they are really unusual to what we’re used to hearing on the radio on a daily basis! You kind of have to train your mind to look beyond your normal tastes, and see for the smoothness of the music!

Have you listened to Marian Hill’s second album yet? If you have, what were your favorite(s) so far? Let me know below!

snowflake

Album Review: “Speak Your Mind” by Anne-Marie

31369538_1658698627511837_4508032018632455547_nEverybody knows (or should) by now that I love internationally based music. A lot of the music I listen to does come from Australia, The Netherlands, and Sweden so it shouldn’t come to no surprise that I’m going to be talking about a Swedish pop singer today!

Anne-Marie is an artist that you might’ve heard before as she’s been featured on two songs: “Rockabye” by Clean Bandit with Sean Paul, it came out March 2017, and was a big summer hit for all three acts. And recently, “Friends” is her collaboration with the mysterious DJ, Marshmello, released a few weeks before this record came out. It’s already become a fun-loving jam to everybody stuck in the friend zone.

We start off this album with “Cry” and I liked the quirky introduction. One of the things that I really like about Anne-Marie’s voice, is that it has this cool, exotic tone to it. The more I was listening to this song, I kind of thought back to my original thought and maybe I was being influenced by the beat itself, but I can’t deny it. A lot of British singers have a knack of having very exotic accents, but it just depends on the way they use it. Anywho, I really like this beat, it does have this smooth, tropical vibe, but I really love the usage of real drums on a pop track, like thank you! I love synthic drum beats, but this was a nice change! Afterwards, there’s her second single and it was released in early 2017, “Ciao Adios” which if you don’t know what this means, it’s “Hello, Goodbye” in Italian and Spanish. This is a lot milder than I kind of expected it to be, and funnily enough, I hadn’t heard of it before doing this review.

Third is “Alarm” and I do have to admit again, I’ve only heard the remix version of this song. I heard Marshmello’s remix and that was it for me! I’ve been very curious to hear the original way, so I like the melody is still relatively the same. She still sounds a total badass! This way isn’t that bad, it’s still dance-y, but I still like other way better! “Trigger” is next and this one sounds sweetly, beat wise! The first thing that popped into my mind was walking around a dense forest, seeing all of the new plants and bugs. It just has that kind of vibe to it, very relaxing but fun with the lyrics and sound. It’s a good song all the way around! And then we dive into a slower song called, “Then” and I really loved the air-y, dreamscape environment it brings to the listener; it’s light but still upbeat enough where you can still dance to it. It’s really good too!

The sixth track is “Perfect” and at first, you get this bluesy, soulful kind of sound. I really like the gentle piano, you can hear throughout the song itself. I don’t really pay too much attention to the lyrics, but since this is so mellow, I can actually hear the words very well and I liked the fact that both sides work really well together! I think it could be a favorite, the more I listen to it. And finally we get to talk about of my favorites, “Friends” and I like the fact we still have that same soft, beat in the beginning that has become a thing for this album as a whole. It’s become her quintessential sound now, but I also like what Marshmello was able to do it, without shifting the vibe too much. It has some pop, nostalgic elements to it that I really like about it.

When I first saw this title, I’m not going to lie, I thought she was covering Theory Of A Deadman’s track “Bad Girlfriend” and a part of me was kind of wanting to hear it. I think more pop artists should experiment with covering more rock songs. Anyways, I think this has the same dark tone to it, but it does switch to a urban flow. I think some of the lyrics are absolutely hilarious! I actually had to listen to it twice while working on this post because I liked it so much! Next there’s “Heavy” and again, we have this beach-y sound going on, but it’s a fun and sweet love song, compared to the song before it! Weird how that worked out, huh?

And this one was the single that she put out a week before her album came out, which confused the crap out of me! The song is “2002” and I find it a little strange to title songs like this, because I can’t remember much unless something very significant happened. I think this song is very interesting, especially the beginning lines of the choruses, there are SIX familiar songs in those first two lines, and I didn’t know it until I had to go look it up! I hope she doesn’t get in trouble for it, because isn’t that a copyright issue? We’re almost done, we have “Can I Get Your Number?” and I like the soft beat again, what is with me lately? I’m liking these slow, love songs a lot! We’re approaching summer, so I might as well embrace it. I like it, but it’s a bit boring too. At least I can dance to it. Last song of the standard edition is “Machine” and I instantly had this ominous, but trippy vibe while listening to it. Every once in a while, I can get into this sober, but out-of-this-world state of mind that tends to scare me the most of all, because I actually try to put myself there on my own. Anyways, I like this, it’s gentle and meaningful at the same time.

I was really impressed with this album. As much as the whole Caribbean type of sound was used on it, surprisingly it wasn’t too annoying. It wasn’t over used like some artists tend to do for late spring, early summer releases. You probably think I’m just trying to pull your chain, but I’m not. It really happens! A bit of a sidenote to everybody reading this, Spotify has the deluxe version but I rarely talk about those types of albums, so here are five extra songs included, if you’d like to continue down the A.M. train, starting with “Breathing Fire,” “Some People,” “Use To Love You,” “Peak,” and finally “Rockabye”.

Have you listened to Anne-Marie’s debut album “Speak Your Mind” yet? If you have, what are some of your favorite tracks so far? What were some of your thoughts you had about it the first time you listened to it?

snowflake

May Playlist

moviws

Howdy!

May has been an interesting month, music wise.

You know when it’s almost summer when Enrique Iglesias comes out with another banger! And of course, it’s with his good buddy Pitbull too! What shocked me though was how quickly my brain screamed “SUMMER” the moment I pushed play on this song the first time. Between this track and Liam Payne’s new one with J. Balvin, I’ve been doing a lot of dancing lately!

Ohh, and we have to talk about the fact that my queen Christina Aguilera is back in action! I am SO excited, like I was literally stalking her Facebook for a good three days to see what the hell was going on, because the cryptic videos in the beginning were really weird, but now that we know I cannot contain myself with how much excitement this has been for me lately!

Has anybody else went on Netflix “Music & Musicals” and watched any of the live concerts? I found Hans Zimmer “live in Prague” concert and after that, I’ve been really curious about it. Well, this month, I finally watched it and I really enjoyed it! I’m really falling in love with movie scores in the past several years so it kind of felt normal to me to watch this one first. As a fair warning, you will cry during the performance of The Lion King! I guess that’s my warning for the day, I ever get invited to see the Broadway musical one day!

For this playlist, I’ve tried to put everything that I’ve heard from movies, TV shows and outings as a way to help remember what happened that day. I’ve also been getting back into hip hop so there are quite a bit of rap music on there too! If you’d like to see more of what I’ve been listening to for May, here is the Spotify playlist!

Here is my Top 10 songs for this month!

Bad Girlfriend by Anne-Marie
Move To Maimi by Enrique Iglesias and Pitbull
Adore by Amy Shark
Pynk by Janelle Monae featuring Grimes
Tomorrow We Fight by Tommee Profitt and Svrcina
Passionfruit by Drake
For You by Serena Ryder
Girls by Rita Ora featuring BeBe Rexha, Charli XCX and Cardi B
Twice by Christina Aguilera
Lovesick by Laurel

Before I go, I’m doing something very different for this summer’s Tune Tuesday series. I need some time to update my list of international musicians, so I’m having an artist of a band that you may not have heard of, write some pieces for both June and maybe July too! So you’ll have to keep an eye out for them! And like always, here are the previously featured music reviews I’ve done–except for Thursday’s, it’ll be on my next monthly playlist instead!

Ledger by Ledger | America by Thirty Seconds To Mars | Awake by Alison Wonderland | Sick Boy by The Chainsmokers | Church Of Scars by Bishop Briggs

So what have you been listening to lately?

snowflake