Every once in a while I get requests to do reviews, but my favorite is obviously for music. It’s always fun and I love to promote especially if they’re a new band. Recently, I got a message on Twitter from the lead singer of Down For Whatever if I’d be interested in reviewing their new album “White Light” and I thought it was too cool so I said yes and that’s the origins of that story.
Down For Whatever is a modern metal band based in Budapest, Hungary. If anybody knows me well enough, you know I’m a sucker for international artists and bands. The band consists of Dávid Zsoldos on drums, Róbert Császár playing the guitar and finally Kiki Diószegi on vocals. As I found out by looking through their Facebook page, they were formed in early 2015 and they released their first EP in December while the album that I will be talking about came out last month!
I was very intrigued to hear this album, especially seeing the track list and founding out the opening track is basically instrumental beginning, called “Prologue” it is very ominous and fierce. Now that is how you should start out every album, well in the rock and heavy metal category at least! The first real track is the title of the album “White Light” and I really like it. I like the introduction leading into this single, really digging hearing the bass guitar throughout, it has elements of synths but it’s pretty tame. It’s a mix of everything that I like so that’s a good sign. The second is “The Black March” and another great beginning, brings out my inner crazy (in a good way)! I really like the lyrics of this one, I feel like I can relate to it in parts.
Third is “Alienation” and this is a heavy sucker, not to say the first two weren’t by any means. I just think this one has less electronic sounds and it’s definitely a heavy metal song; it’s mean and gritty. However, it did take me a bit to get into it fully, once it was fading out that’s when I realized it’s potential and had to start it over again. After is “Let Me In” and again we go back to the electronic sounds before it basically explodes into this monster. There is definitely a higher pitched voice in the background, don’t really know who’s voice I am hearing but it’s a nice balance. Next is “Age Of Insanity” and with that kind of title, you know it’s going to be brilliant. At least, you’re always hoping it is! This is another one that I focused on the lyrics and that made me like it a little bit more. It definitely empowers the listener, or maybe that was just me!
We first had a “Prologue” and now that we’re in the middle of the album essentially, we have an interlude as well, and I saw “Kyrie” and it brought me back to my choir days in school, because we would see that song in winter months. It was always my favorite! Anyways, it’s only 33 seconds long and I didn’t even notice it at first, I just thought it was the ending of the previous track. KiKi has the space to just release a few lines before the next song starts which is “Better To Be Alone” and again, I’m surprising myself with listening more to the lyrics then the actual music. I’m very backwards today, but hey, I’m not complaining because I’ve been really into the words. I feel I could grow to really enjoy this one too, as sometimes I feel better to be alone too. Next is “Sea Of Tomorrow” this one seems to be a bit slower, but not like a ballad though. It definitely reminds me of a pop-rock kind of track, good for radio and I say that in a good way! I don’t see anything wrong with that!
The last three songs start with “Alpha & Omega” and this is surprising pretty tame too! I figured it would be a bit heavier, but then again majority of the songs I’ve heard, they have enough of those. I’m on the fence about it. It’s an okay track, but if anybody really knows me I can always change my mind after a while! The next doesn’t disappoint though, it has that creepy, mysterious intro that I am always look for, it is called “G.T.F.O.” which translates to “get the fuck out” and this is the one that has a featured artist on it: Adam Connor. I have no idea what band he is from, I am not familiar with him at all, but I wonder if he’s the other vocalist I hear in the background of “Let Me In” despite the fact, he is not credited for it. Last one is “The Last Chapter” which again is an awesome title for the outro of the album. And of course, it ends on a high or in this case heavy sound. I get like an air-y vibe, almost a chill in the verses. It’s not like a gritty type of song that we’ve heard in the beginning of the album but it’s still pretty great too!
I think this album is very good, despite not exactly knowing how to really describe “modern metal” on here so I apologize for that. They remind me of Bring Me The Horizon in the different elements they’ve used in their last two albums. For once, I actually broke my own set of rules and looked to the lyrics which never really happens in any genre of music I listen to nowadays! I do think it saved them in certain songs, because there’s no ballads on this record and so after a while, I kind of got bored with hearing the same heavy sound over and over again. I never thought I’d say that either; although I say that I can’t say I hated any of the songs though.
Have you heard of Down For Whatever yet? If you have, what were your favorite songs?