Album Review: “Cinematic Songs Vol. 1” by Tommee Profitt

15977274_1352323748142203_8790681019734235473_nToday, I have something a little different for you. This isn’t your regular album review. No, this is totally unique  I think in the way that it all came together. I hope you like what you read in my review below and if you decide to listen or purchase the album digitally, as that’s the only way it is released right now, please tell me your thoughts on it as well.

If you are familiar with my music tastes, you know how much I love anything epic cinematic, it can mean “trailer music” as a lot of people seem to categorize it like that. I think my infatuation with it started while I was finding more and more symphonic metal bands. Epic cinematic music is more like alternative pop to me, as it’s not entirely pop nor symphonic either. It’s a nice medium and I just love it to pieces because it too, can tell a deeper story than a normal pop song can in my opinion.

The album is produced by Tommee Profitt. He is also a composer and songwriter. You might have heard of his music on different networks like Freeform, ABC and the CW. In the “Cinematic Songs Vol. 1” he has a mixture of both instrumentals and tracks that feature different artists.

The track that starts us off is “No Escape (Genesis)” and it is an instrumental and if you know me well enough, you know I like a good, powerful beginning and just as epic end to it all. This track is no different. It’s a perfect beginning to the album. I like the air-y dreamscape it delivers. Despite it having a clear, war scene type of image in your mind, it also has a beautiful body of various emotions you can hear within as you would be able to see if it was a movie. The second is “Caught In The Fire” featuring the first singer of the album, it is Sam Tinnesz, who is a singer/songwriter from Nashville and he is also the lead vocalist of Wave & Rome.  I think this one is fairly quiet compared to the first, it does built once the chorus begins; that’s what is so interesting with cinematic music, you might have a peaceful introduction but by the ending, it has erupted into this glorious fire of sounds. No pun intended.

Third is called “Who Side Are You On” and it features one of my favorite pop-cinematic artists, the main reason why I’ve been so interested in the genre in the first place: Ruelle! She has the power to make a song like this, choosing a side between right and wrong, and twisting it on its head a little. I really love the synth drums and strings throughout the end of the choruses, it gives a sense of chaos I think of figuring out which side you believe. I think the best part of this is at the end, I love the last two high octaves the choir gives before finishing the song completely. I like paying attention to details, especially in music. It always leaves me curious and wanting more!

Next is a track called “Free” that is performed by singer Svrcina, unfortunately I couldn’t find a lot about her on her Facebook page like I could with the others, so I’m just going to have to wing it. Sorry! This one has a different sound compared to the first 3 songs, which is always nice. Svrcina has a nice deep voice, she kind of reminds me of Birdy in a way. I think they should play this for the Pretty Little Liars finale. I don’t watch the show, but I think it would be perfect for the main characters! Anyways, the fifth track, we’re back with the instrumentals! It is called “Insurrection” and I love the ominous feeling in the intro, best thing ever! I love the sounds that horns tend to give off in these types of tracks, a sense of war on the way, so they’re preparing, getting their strategies just right, and eventually fighting with one another. Those are always my favorite sections and let’s be honest, they usually have the best music sequences too!

Afterwards, we have a slightly softer sound by an artist Wondra, for the track “I’m Not Afraid” but again, it builds as she begins to sing, because at first all you hear is Wondra vocalization, it doesn’t sound like the previous tracks. I like the soft piano at the beginning and end. It’s very beautiful! It has a pop atmosphere but I actually like it though. Next we have Sam Tinnesz back with a second song called “Glass Heart” and we have another piano introduction with Sam’s gorgeous, questionable voice. I like the chorus section mostly because of the zigzag sounds you hear with the high-pitched notes of the piano with subtle low, sort of deep drums give it a dramatic feel. Surprisingly, I thought it could do without the string section at the end.

This one is called “Soldier” and it is performed by Fleurie, she’s another artist that is featured on our favorite television shows like The Vampire Diaries and The Originals. This is very pretty. I like the soft beginning that her voice brings to the table. It’s not too much or too little. The song is also very catchy, so it’s an ideal pop cinematic track. The ninth track is another instrumental, it is called “Rising Tombs” which explains a lot, because within the first seconds of it, it’s very quiet and then you start to hear these sounds like somebody walking up stairs. All the while the orchestra’s power grows and it becomes very energetic. I want to say, this one has more of an electronic sound to it, which I know sounds weird but it does!

We are on the last four songs, starting “Sleeping With A Ghost” and this one definitely has an electronica vibe to it, probably a little more than the last one. The singer featured in this is CAPPA and she is an indie-pop singer from Nashville. If I didn’t know any better, I’d say most of the artists on this installment are from the country music capital of Nashville. I love the diversity though! Next is a track called “I’m Seeing Red” and I’m in love with the title! You know it’s going to be badass with that kind of title and it is! So creepy but light and air-y with Aron Wright’s voice, but of course everything needs to grow and become a massive beast and that’s the best way to describe how this sucker concludes. It’s pretty unique!

We have our last single to feature Fleurie and it is “Hurts Like Hell” and I have to say both this track and the other are both featured on her EP “Love And War” that came out in November. This is a very beautiful track, I love her soft, almost quiet voice and a piano together. I’m only just discovering her and she just takes me away from the pain in my daily life and that’s what I love about cinematic music the most, it has the power to do that to you. Anyways, my favorite section is the bridges, you still have this eternal sound but like a bubble pops and the sounds intensifies but then it calms back down again. The last track is a bonus, it’s “Carol Of The Bells” and this makes me think of Christmas when I first heard it, I’ll be honest, but it’s a classic. Everyone has heard of it in their lifetime. I certainly have, I’ve just never known the title of it. It’s so beautiful though and the perfect finish!

I will be honest, I found this whole album on accident one night. I had been listening to Ruelle and was on her “Related Artists” on Spotify and found Fleurie and I have been curious to check out her music for about a year and I finally did and this was included at the bottom of her overview. So I thought I would do a review of what I thought of it as a whole and this is the result. I think Tommee has a fantastic group of tracks and featured musicians, everybody did a great job! All I have to do is wait for Volume #2 now!

What do you think of cinematic music? Are you lover or unsure about the entire genre? 

snowflake

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